The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 14
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is [ 4 THE ART OF MUSIC.
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is [ 4 THE ART OF MUSIC.
Pagina 15
Charles Hubert Hastings Parry. CHAPTER II SCALES THE first indispensable requirement of music is a series of notes which stand in some recognisable relation to one another in respect of pitch ; for there is nothing which the mind can lay ...
Charles Hubert Hastings Parry. CHAPTER II SCALES THE first indispensable requirement of music is a series of notes which stand in some recognisable relation to one another in respect of pitch ; for there is nothing which the mind can lay ...
Pagina 19
... requirements of melody when supported by the chords which supply the other requisites of a cadence simultaneously . In melodic systems the majority of cadences are , as the word implies , made downwards ; and undoubtedly in a majority ...
... requirements of melody when supported by the chords which supply the other requisites of a cadence simultaneously . In melodic systems the majority of cadences are , as the word implies , made downwards ; and undoubtedly in a majority ...
Pagina 117
... requirements of ecclesiastical functions must have made considerable demands on the powers of organists from comparatively early times ; and though the backward state of the mechanism of the instrument prevented them from achieving much ...
... requirements of ecclesiastical functions must have made considerable demands on the powers of organists from comparatively early times ; and though the backward state of the mechanism of the instrument prevented them from achieving much ...
Pagina 127
... requirements of their art as they went on . At first they seem to have had no idea that any kind of design or even musical figures were required . They thought it sufficient for the solo voice to declaim the poetry in musical sounds ...
... requirements of their art as they went on . At first they seem to have had no idea that any kind of design or even musical figures were required . They thought it sufficient for the solo voice to declaim the poetry in musical sounds ...
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achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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