The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 1
... Relation . By ALEXANDER BAIN , LL . D. With 4 Illustrations . $ 1.50 . 5. THE STUDY OF SOCIOLOGY . BY HERBERT SPENCER . $ 1.50 . 6. THE NEW CHEMISTRY . By Professor J. P. COOKE , Harvard University . With 31 Illustrations . $ 2.00 . 7 ...
... Relation . By ALEXANDER BAIN , LL . D. With 4 Illustrations . $ 1.50 . 5. THE STUDY OF SOCIOLOGY . BY HERBERT SPENCER . $ 1.50 . 6. THE NEW CHEMISTRY . By Professor J. P. COOKE , Harvard University . With 31 Illustrations . $ 2.00 . 7 ...
Pagina 2
... RELATION TO MUSIC . By Pro- fessor PIETRO BLASERNA , Royal University of Rome . With numerous Illustrations . $ 1.50 . 23 STUDIES IN SPECTRUM ANALYSIS . By J. NORMAN LOCKYER , F. R. S. With 7 Photographic Illustrations of Spectra , and ...
... RELATION TO MUSIC . By Pro- fessor PIETRO BLASERNA , Royal University of Rome . With numerous Illustrations . $ 1.50 . 23 STUDIES IN SPECTRUM ANALYSIS . By J. NORMAN LOCKYER , F. R. S. With 7 Photographic Illustrations of Spectra , and ...
Pagina 3
... RELATION TO PRIMEVAL TIMES . By Professor OSCAR SCHMIDT , University of Strasburg . With 51 Illustrations . $ 1.50 . 54. COMPARATIVE LITERATURE . By Professor H. M. POSNETT , M. A. , Uni- versity College , Auckland . $ 1.75 . 55 ...
... RELATION TO PRIMEVAL TIMES . By Professor OSCAR SCHMIDT , University of Strasburg . With 51 Illustrations . $ 1.50 . 54. COMPARATIVE LITERATURE . By Professor H. M. POSNETT , M. A. , Uni- versity College , Auckland . $ 1.75 . 55 ...
Pagina vii
... relations of pitch indispensable - Slow development of scales -Slender beginnings - Practicable intervals - Scales variable in accordance with the purposes for which they are wanted— Melodic scales - Heptatonic and pentatonic - Ancient ...
... relations of pitch indispensable - Slow development of scales -Slender beginnings - Practicable intervals - Scales variable in accordance with the purposes for which they are wanted— Melodic scales - Heptatonic and pentatonic - Ancient ...
Pagina xi
... relation to one another , and are disposed in some sort of order by the distribution of their up and down motion or by the regularity of their rhythmic recurrence . Then the impression becomes distinct , and its definiteness makes it ...
... relation to one another , and are disposed in some sort of order by the distribution of their up and down motion or by the regularity of their rhythmic recurrence . Then the impression becomes distinct , and its definiteness makes it ...
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achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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