The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 7
... range of sounds . But complete musical art has to be made definite in other respects besides mere melodic up and down motion . The successive moments had to be regulated as well as mere changes of pitch , and this was first made ...
... range of sounds . But complete musical art has to be made definite in other respects besides mere melodic up and down motion . The successive moments had to be regulated as well as mere changes of pitch , and this was first made ...
Pagina 13
... range of art when they take any definite form , just as speech begins when vague signals of sound give place to words ; and scales begin to be formed when musical figures become definite enough to be remem- bered . In the necessary ...
... range of art when they take any definite form , just as speech begins when vague signals of sound give place to words ; and scales begin to be formed when musical figures become definite enough to be remem- bered . In the necessary ...
Pagina 24
... range of sounds which the Greeks considered suitable for use by the human voice was mapped out . The whole extent of this scale being only from A in the lower part of the bass stave to A in the treble , indi- cates that the Greeks ...
... range of sounds which the Greeks considered suitable for use by the human voice was mapped out . The whole extent of this scale being only from A in the lower part of the bass stave to A in the treble , indi- cates that the Greeks ...
Pagina 26
... range of music , that composers speculated in arrangements of the notes which ignored the purposes which brought them into existence ; and that , as the scale grew larger and larger , people ceased to recognise that any particular note ...
... range of music , that composers speculated in arrangements of the notes which ignored the purposes which brought them into existence ; and that , as the scale grew larger and larger , people ceased to recognise that any particular note ...
Pagina 27
... range of sounds extending only for two octaves was mapped out into a series of seven modes , which can be fairly imitated on a modern pianoforte by playing the several scales which begin respectively on E , F , G , A , B , C , D ...
... range of sounds extending only for two octaves was mapped out into a series of seven modes , which can be fairly imitated on a modern pianoforte by playing the several scales which begin respectively on E , F , G , A , B , C , D ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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