The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 43
... progress they ultimately com- pleted a scale which they had known all along , but had rather looked down upon as an inferior specimen of its kind . This simply proves what is now quite obvious , that for melodic purposes such modes as ...
... progress they ultimately com- pleted a scale which they had known all along , but had rather looked down upon as an inferior specimen of its kind . This simply proves what is now quite obvious , that for melodic purposes such modes as ...
Pagina 44
... progress to contrast , and back to the initial starting - point , the whole fabric of modern harmonic music is built . The other notes fell into their places by degrees . The mediant ( as E in C ) chiefly as the defining note for major ...
... progress to contrast , and back to the initial starting - point , the whole fabric of modern harmonic music is built . The other notes fell into their places by degrees . The mediant ( as E in C ) chiefly as the defining note for major ...
Pagina 87
... progress has been more and more rapid , but in early times it was most astonishingly slow . Men allowed some of our most familiar combinations as notes of passage - purely sub- ordinate details - and by their use in that manner they ...
... progress has been more and more rapid , but in early times it was most astonishingly slow . Men allowed some of our most familiar combinations as notes of passage - purely sub- ordinate details - and by their use in that manner they ...
Pagina 96
... progress of these early centuries in detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results ...
... progress of these early centuries in detail . It pursued its slow course on the same lines . Composers found out artistic devices which facilitated their labours , and enabled them to approximate to more pleasing and artistic results ...
Pagina 100
... progress of harmony from homogeneity to heterogeneity is distinctly traceable in this respect . In the first stage there is no variety at all ; all are fifths or fourths consecutively . A slight variety appears when fourths and fifths ...
... progress of harmony from homogeneity to heterogeneity is distinctly traceable in this respect . In the first stage there is no variety at all ; all are fifths or fourths consecutively . A slight variety appears when fourths and fifths ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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