The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina xi
... produced by vague sounds is vague , and soon passes away altogether . They take no permanent hold on the mind till they are made definite in relation to one another , and are disposed in some sort of order by the distribution of their ...
... produced by vague sounds is vague , and soon passes away altogether . They take no permanent hold on the mind till they are made definite in relation to one another , and are disposed in some sort of order by the distribution of their ...
Pagina 8
... produce a frenzy in the mind of both spectators and performers , which drives them to deeds of wildness and ferocity fully on a par with what they would do in the real circumstances of which the dancing is merely an expressive ...
... produce a frenzy in the mind of both spectators and performers , which drives them to deeds of wildness and ferocity fully on a par with what they would do in the real circumstances of which the dancing is merely an expressive ...
Pagina 23
... produce with the utmost elaboration of modern ingenuity . A crowd of people of moderate intelligence go almost out of their minds with delight when a famous singer flatters them with songs which to musicians appear the baldest ...
... produce with the utmost elaboration of modern ingenuity . A crowd of people of moderate intelligence go almost out of their minds with delight when a famous singer flatters them with songs which to musicians appear the baldest ...
Pagina 24
... produced with effort ; and it proves also that their music could not have been of a passionate or excitable cast , because the use of notes which imply any degree of agita- tion are excluded . The last note which is said to have been ...
... produced with effort ; and it proves also that their music could not have been of a passionate or excitable cast , because the use of notes which imply any degree of agita- tion are excluded . The last note which is said to have been ...
Pagina 30
... produced by sounding the strings when " stopped " at such points . The frets are supposed to mark the points at which the string should be stopped with the finger to get the different notes of the scale 30 THE ART OF MUSIC.
... produced by sounding the strings when " stopped " at such points . The frets are supposed to mark the points at which the string should be stopped with the finger to get the different notes of the scale 30 THE ART OF MUSIC.
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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