The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 13
... played an important part , for by their means the succession of impulses was regulated . Both vocal music and ... play fresh powers of sensibility or thought , and giving the first centres time to recover tone . And as there would ...
... played an important part , for by their means the succession of impulses was regulated . Both vocal music and ... play fresh powers of sensibility or thought , and giving the first centres time to recover tone . And as there would ...
Pagina 18
... plays a vital part in the scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators ...
... plays a vital part in the scheme of artistic design . Our scale has had to be transformed entirely from the ancient modes in order to make the harmonic scheme of musical art possible ; and in this process the attitude of the cultivators ...
Pagina 20
... playing C , and the A and G below it one after another , and reiterating them in any order he pleases , so long as he makes Ab the last note but one , and G the final . The result is a curious reversal of our theories of musical ...
... playing C , and the A and G below it one after another , and reiterating them in any order he pleases , so long as he makes Ab the last note but one , and G the final . The result is a curious reversal of our theories of musical ...
Pagina 22
... player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the fifth or fourth was chosen , for it is noticeable that small intervals like semitones are rare in ...
... player sounds all the black notes in a couple of bars which are nominally in that key . It undoubtedly made a great difference whether the fifth or fourth was chosen , for it is noticeable that small intervals like semitones are rare in ...
Pagina 24
... player of the name of Phrynis in 456 B.C. But this note was considered to stand outside the set of tetrachords , and was not used in singing , but only to enable the harp - player to execute certain modulations . The Greek musical ...
... player of the name of Phrynis in 456 B.C. But this note was considered to stand outside the set of tetrachords , and was not used in singing , but only to enable the harp - player to execute certain modulations . The Greek musical ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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