The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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... real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- most feelings and sensibilities . In fact , the arts 4 THE ART OF MUSIC.
... real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- most feelings and sensibilities . In fact , the arts 4 THE ART OF MUSIC.
Pagina 10
... musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast of which the art is capable . In this respect the ...
... musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast of which the art is capable . In this respect the ...
Pagina 15
... approximate , and that only in course of ages did instinctive consensus of opinion , possibly with the help of some primitive instrument , fasten definitely upon a succession of sounds which to modern musicians would be clearly 35.
... approximate , and that only in course of ages did instinctive consensus of opinion , possibly with the help of some primitive instrument , fasten definitely upon a succession of sounds which to modern musicians would be clearly 35.
Pagina 16
Charles Hubert Hastings Parry. succession of sounds which to modern musicians would be clearly recognisable as a fourth or a fifth , or any other acoustically explicable pair of notes . It is advisable to guard at the outset against the ...
Charles Hubert Hastings Parry. succession of sounds which to modern musicians would be clearly recognisable as a fourth or a fifth , or any other acoustically explicable pair of notes . It is advisable to guard at the outset against the ...
Pagina 17
... musician seem obviously certain to have been the alternatives in the choice of a nucleus . As has been pointed out , sixths , thirds , sevenths , and seconds are all almost inconceivable . They are all difficult to make sure of without ...
... musician seem obviously certain to have been the alternatives in the choice of a nucleus . As has been pointed out , sixths , thirds , sevenths , and seconds are all almost inconceivable . They are all difficult to make sure of without ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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