The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina xi
... kind , whether it be the obvious external kind of beauty , or the beauty of thought and human circumstance ; and that the keenness of their pleasure makes them long to enhance their own enjoyments by bringing their fellow - men ...
... kind , whether it be the obvious external kind of beauty , or the beauty of thought and human circumstance ; and that the keenness of their pleasure makes them long to enhance their own enjoyments by bringing their fellow - men ...
Pagina xi
... kind of design is present in the succession of the sounds . The impression produced by vague sounds is vague , and soon passes away altogether . They take no permanent hold on the mind till they are made definite in relation to one ...
... kind of design is present in the succession of the sounds . The impression produced by vague sounds is vague , and soon passes away altogether . They take no permanent hold on the mind till they are made definite in relation to one ...
Pagina 5
... kind , and an excitement analogous to that felt by the maker of the noise . A hound that has picked up the scent soon starts the responsive sympathy of the chorus of the pack ; a cow wailing the loss of her calf often attracts the ...
... kind , and an excitement analogous to that felt by the maker of the noise . A hound that has picked up the scent soon starts the responsive sympathy of the chorus of the pack ; a cow wailing the loss of her calf often attracts the ...
Pagina 6
... kind of vague wail or howl , which is on the borderland between music and informal expression of feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over and over again ...
... kind of vague wail or howl , which is on the borderland between music and informal expression of feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over and over again ...
Pagina 7
... kind of singing or vocal utterance . Rhythm and vocal ex- pression are by nature distinct , and in very primitive states of music are often found independent of one another . The rhythmic music is then defined only by the pulses , and ...
... kind of singing or vocal utterance . Rhythm and vocal ex- pression are by nature distinct , and in very primitive states of music are often found independent of one another . The rhythmic music is then defined only by the pulses , and ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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