The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina xi
... interests of hurrying , striving millions require something more than mere cold - blooded utilitarian motives to keep them properly balanced ; and in matters of everyday life the impulses which tend to mutual helpfulness and forbearance ...
... interests of hurrying , striving millions require something more than mere cold - blooded utilitarian motives to keep them properly balanced ; and in matters of everyday life the impulses which tend to mutual helpfulness and forbearance ...
Pagina xi
... interests , whether it be politics , science , literature , art , or sport ; and in such circumstances the instinct ... interest the artist feels in what is actually seen or present to his imagination that drives him to utterance . The ...
... interests , whether it be politics , science , literature , art , or sport ; and in such circumstances the instinct ... interest the artist feels in what is actually seen or present to his imagination that drives him to utterance . The ...
Pagina xi
... interest of the artist's thought . In music , form and design are most obviously necessary , not only because without them the impression conveyed is indefinite and fugitive , but also because the very source and origin of its influence ...
... interest of the artist's thought . In music , form and design are most obviously necessary , not only because without them the impression conveyed is indefinite and fugitive , but also because the very source and origin of its influence ...
Pagina 13
... interest in some way which allowed repose to the faculties that had been brought into exhausting activity , the work of art could go no further than the point at which exhaustion began . It is therefore a part of the business of the art ...
... interest in some way which allowed repose to the faculties that had been brought into exhausting activity , the work of art could go no further than the point at which exhaustion began . It is therefore a part of the business of the art ...
Pagina 61
... interest , and each tune was made to fit all the verses , whether they were cheerful or tragical . Such a tune is likely to be little more than a mere design , which might be very pleasant and complete as melodic design in itself , but ...
... interest , and each tune was made to fit all the verses , whether they were cheerful or tragical . Such a tune is likely to be little more than a mere design , which might be very pleasant and complete as melodic design in itself , but ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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