The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina x
... feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The scherzo - Close texture ...
... feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The scherzo - Close texture ...
Pagina xi
... feels in what is actually seen or present to his imagination that drives him to utterance . The instinct of utterance ... feeling , the greater is the desire to make the form in which it is conveyed un- mistakably clear and intelligible ...
... feels in what is actually seen or present to his imagination that drives him to utterance . The instinct of utterance ... feeling , the greater is the desire to make the form in which it is conveyed un- mistakably clear and intelligible ...
Pagina 5
... feeling and sensibility . Utterances and actions which illustrate the raw material of music are common to all sentient beings , even to those which the complacency of man describes as dumb . A dog reiterating short barks of joy on a ...
... feeling and sensibility . Utterances and actions which illustrate the raw material of music are common to all sentient beings , even to those which the complacency of man describes as dumb . A dog reiterating short barks of joy on a ...
Pagina 6
... feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting ... feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over ...
... feelings began to pass into music when a few definite notes were made to take the place of vague , irregular shouting ... feeling , or else contrive little fragmentary figures of two or three notes which they reiterate incessantly over ...
Pagina 10
... feeling and an appeal to sympa- thetic feeling in others , is considered , it is easy to see that the nature of the human creature makes contrast universally inevitable . Fatigue and lassitude are just as certain to follow from the ...
... feeling and an appeal to sympa- thetic feeling in others , is considered , it is easy to see that the nature of the human creature makes contrast universally inevitable . Fatigue and lassitude are just as certain to follow from the ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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