The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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... fact to be worth discussing . In reality , both arts are much on the same footing , for painting is no more a purely imitative art than music . People deliberately copy nature chiefly to develop the technique which is necessary to ...
... fact to be worth discussing . In reality , both arts are much on the same footing , for painting is no more a purely imitative art than music . People deliberately copy nature chiefly to develop the technique which is necessary to ...
Pagina 5
Charles Hubert Hastings Parry. most feelings and sensibilities . In fact , the arts of painting and sculpture and their kindred are the expression of the outer surroundings of man , and music of what is within him ; and consequently the ...
Charles Hubert Hastings Parry. most feelings and sensibilities . In fact , the arts of painting and sculpture and their kindred are the expression of the outer surroundings of man , and music of what is within him ; and consequently the ...
Pagina 7
... fact that dancing originates under almost the same conditions as song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and ...
... fact that dancing originates under almost the same conditions as song or any other kind of vocal utterance ; and therefore the rhythmic elements and the melodic elements are only different forms in which the same class of feelings and ...
Pagina 11
... fact , such as ex- haustion of nervous force or waste of tissue ; but it appears certain that the only reason why a similar explanation cannot be enunciated in connection with the more intangible departments of human phenomena is that ...
... fact , such as ex- haustion of nervous force or waste of tissue ; but it appears certain that the only reason why a similar explanation cannot be enunciated in connection with the more intangible departments of human phenomena is that ...
Pagina 12
... fact is the most essential differ- ence between the two . Of such types of contrast that of principle between the rhythmic and the melodic on one hand , and of emotional and intellectual on the other , are the widest . The manner in ...
... fact is the most essential differ- ence between the two . Of such types of contrast that of principle between the rhythmic and the melodic on one hand , and of emotional and intellectual on the other , are the widest . The manner in ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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