The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 3
... EXPRESSION : Its Modes and Principles . By FRANCIS WAR- NER , M. D. , Assistant Physician , London Hospital . With 51 Illustrations . $ 1.75 . 52. ANTHROPOID APES . By Professor ROBERT HARTMANN University of Berlin . With 63 ...
... EXPRESSION : Its Modes and Principles . By FRANCIS WAR- NER , M. D. , Assistant Physician , London Hospital . With 51 Illustrations . $ 1.75 . 52. ANTHROPOID APES . By Professor ROBERT HARTMANN University of Berlin . With 63 ...
Pagina ix
... expression - Piccini - Mozart - Italian influence- Idomeneo Instrumentation -Teutonic aspiration - Artistic - - achievement • 213 CHAPTER XI THE MIDDLE STAGE OF " SONATA " FORM Self - dependent music and design - Successive stages of ...
... expression - Piccini - Mozart - Italian influence- Idomeneo Instrumentation -Teutonic aspiration - Artistic - - achievement • 213 CHAPTER XI THE MIDDLE STAGE OF " SONATA " FORM Self - dependent music and design - Successive stages of ...
Pagina x
... expression— His keen feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The ...
... expression— His keen feeling for design - Preponderance of sonatas in his works - His three periods - Richness of sound - The pianoforte -The orchestra - Use of characteristic qualities of tone- Expansion of design - Expression - The ...
Pagina xi
... expression . The only real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- most feelings and sensibilities . In fact , the arts 4 THE ART ...
... expression . The only real difference is that the artist formulates impressions received through the eyes , and the musician formulates the direct expression of man's inner- most feelings and sensibilities . In fact , the arts 4 THE ART ...
Pagina 5
... expression of the outer surroundings of man , and music of what is within him ; and consequently the former began with imitation , and the latter with direct expression . The story of music has been that of a slow building up and ...
... expression of the outer surroundings of man , and music of what is within him ; and consequently the former began with imitation , and the latter with direct expression . The story of music has been that of a slow building up and ...
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achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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