The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina v
... directions should be acknowledged- especially to Mr. Edward Dannreuther , for copious advice , suggestions , and criticisms during the whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the ...
... directions should be acknowledged- especially to Mr. Edward Dannreuther , for copious advice , suggestions , and criticisms during the whole time the work was in hand ; to Miss Emily Daymond , of Holloway College , for reading the ...
Pagina vii
... direction of design - Ele- mentary types - Reiteration of phrases - Sequences - Tonality- Ornament Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of ...
... direction of design - Ele- mentary types - Reiteration of phrases - Sequences - Tonality- Ornament Pattern tunes - Universality of certain types of design - Racial characteristics - Expression and design - Highest forms - Decline of ...
Pagina 14
... direction of expression again ; and in recent times music has aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first ...
... direction of expression again ; and in recent times music has aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first ...
Pagina 59
... direction . The following is an example of parts of a Hungarian tune , and of the version with the ornamentation added by the gipsy performers . The beginning stands as follows : - Gipsy version . Hungarian . And the close : — Gipsy ...
... direction . The following is an example of parts of a Hungarian tune , and of the version with the ornamentation added by the gipsy performers . The beginning stands as follows : - Gipsy version . Hungarian . And the close : — Gipsy ...
Pagina 84
... direction of harmony . The harmonic phase of music has been exactly coeval with the development of that particular kind of intellectual disposition which con- tinued to manifest itself more and more as modern Europe slowly emerged from ...
... direction of harmony . The harmonic phase of music has been exactly coeval with the development of that particular kind of intellectual disposition which con- tinued to manifest itself more and more as modern Europe slowly emerged from ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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