The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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John BRADFORD (Prebendary of St. Paul's.) 4109.6-27 . A Contrast . THE EXAMINATION OF JOHN BRADFORD BY STEPHEN.
John BRADFORD (Prebendary of St. Paul's.) 4109.6-27 . A Contrast . THE EXAMINATION OF JOHN BRADFORD BY STEPHEN.
Pagina ix
... contrast; i.e. the state by which one thing stands out from another. Without contrast, the awareness of any object, thought, feeling or state would be indistinct and non-experienceable, and so knowledge of all things relies upon ...
... contrast; i.e. the state by which one thing stands out from another. Without contrast, the awareness of any object, thought, feeling or state would be indistinct and non-experienceable, and so knowledge of all things relies upon ...
Pagina
... contrast: “sharp contradiction between two juxtaposed objects, phenomena, etc.” How does the proposed definition differ from those cited above? In the first place, the proposed definition enables to analyze contrast. How? First, contrast ...
... contrast: “sharp contradiction between two juxtaposed objects, phenomena, etc.” How does the proposed definition differ from those cited above? In the first place, the proposed definition enables to analyze contrast. How? First, contrast ...
Pagina 21
Luigi Solbiati. 2 Ultrasound Contrast Agents Table 2.1 . Transpulmonary ultrasound contrast media approved for clinical. A. BAUER , L. SOLBIATI 2.1 Introduction With the advent of new ultrasound contrast- specific scanning modes , the ...
Luigi Solbiati. 2 Ultrasound Contrast Agents Table 2.1 . Transpulmonary ultrasound contrast media approved for clinical. A. BAUER , L. SOLBIATI 2.1 Introduction With the advent of new ultrasound contrast- specific scanning modes , the ...
Pagina 30
... contrast between the black of the print and the white background ; and any factor which tends to disturb this contrast is objectionable . " Assume that the ratio of brightness of the black characters - due to diffusely re- flected light ...
... contrast between the black of the print and the white background ; and any factor which tends to disturb this contrast is objectionable . " Assume that the ratio of brightness of the black characters - due to diffusely re- flected light ...
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achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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