The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 54
... composer can contrive in the upper parts . The device of reiteration is also happily used to give a characteristic ... composers for giving unity and intelligibility to progressions , and is used constantly by every composer of any ...
... composer can contrive in the upper parts . The device of reiteration is also happily used to give a characteristic ... composers for giving unity and intelligibility to progressions , and is used constantly by every composer of any ...
Pagina 61
... conventional rules of orderliness . The greater part of the history of music turns upon this very point ; for composers have been constantly attempting to enlarge their resources so as to be able to bring more and FOLK - MUSIC 61.
... conventional rules of orderliness . The greater part of the history of music turns upon this very point ; for composers have been constantly attempting to enlarge their resources so as to be able to bring more and FOLK - MUSIC 61.
Pagina 90
... Composers found it quite sufficiently difficult to carry out a simple scheme of this kind without trying any further to enhance its effect , except by an occasional ornament , such as the D and C in crotchets just before the end in the ...
... Composers found it quite sufficiently difficult to carry out a simple scheme of this kind without trying any further to enhance its effect , except by an occasional ornament , such as the D and C in crotchets just before the end in the ...
Pagina 92
... composers , which have the same sort of aspect as the artistic efforts of a baby just out of its cradle , when it tries to represent mankind or its favourite animals . It may have been the severity of these difficulties which caused ...
... composers , which have the same sort of aspect as the artistic efforts of a baby just out of its cradle , when it tries to represent mankind or its favourite animals . It may have been the severity of these difficulties which caused ...
Pagina 94
... composer merely wrote the word once at the beginning of the piece , and the singers ( generally those who took the lower ... composers even in adapting tunes together worked in the direction of succes- sions of fifths and fourths , like ...
... composer merely wrote the word once at the beginning of the piece , and the singers ( generally those who took the lower ... composers even in adapting tunes together worked in the direction of succes- sions of fifths and fourths , like ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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