The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina viii
... COMBINATION OF OLD methods AND NEW PRINCIPLES Renewed cultivation of contrapuntal methods - Influence of Italian taste and style upon Handel - His operas - His oratorios - J . S. Bach - Influences which formed his musical character ...
... COMBINATION OF OLD methods AND NEW PRINCIPLES Renewed cultivation of contrapuntal methods - Influence of Italian taste and style upon Handel - His operas - His oratorios - J . S. Bach - Influences which formed his musical character ...
Pagina 9
... combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry . But the tendency to revert to primitive conditions is fre- quently to be met with even in the most ...
... combined , and it is no reckless inference that from some such form of combination sprung the original rhythmic organisation of poetry . But the tendency to revert to primitive conditions is fre- quently to be met with even in the most ...
Pagina 10
... combined ; and it is under such conditions , with musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast ...
... combined ; and it is under such conditions , with musicians who have both methods of expression well under command , that music rises to its highest perfection ; as the use of the two principles supplies the basis of the widest contrast ...
Pagina 22
... combinations which they did not use ; but their account of their music itself is so vague that it is difficult to get any clear idea of what it was really like . And it still seems possible that a large portion of what has passed into ...
... combinations which they did not use ; but their account of their music itself is so vague that it is difficult to get any clear idea of what it was really like . And it still seems possible that a large portion of what has passed into ...
Pagina 32
... combination which it is possible to get out of the semitones , but always so that each degree is represented in some way or another . The extremes to which the process leads may be illustrated by the following . Tânarupi corre- sponds ...
... combination which it is possible to get out of the semitones , but always so that each degree is represented in some way or another . The extremes to which the process leads may be illustrated by the following . Tânarupi corre- sponds ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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