The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina viii
... of Italian taste and style upon Handel - His operas - His oratorios - J . S. Bach - Influences which formed his musical character - Differ- ence of Italian and Teutonic attitudes towards music - Instru- viii CONTENTS.
... of Italian taste and style upon Handel - His operas - His oratorios - J . S. Bach - Influences which formed his musical character - Differ- ence of Italian and Teutonic attitudes towards music - Instru- viii CONTENTS.
Pagina ix
... characters of Haydu and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of types - High organisation in a formal sense · 233 CHAPTER XII BALANCE OF EXPRESSION AND DESIGN Development of resources CONTENTS ix.
... characters of Haydu and Mozart - Symphonies - Orchestration -Quartetts - Increase of variety of types - High organisation in a formal sense · 233 CHAPTER XII BALANCE OF EXPRESSION AND DESIGN Development of resources CONTENTS ix.
Pagina 11
... character of their work . Many of the phenomena of art are explicable on this principle . Up to a certain point the human creature is capable of being more and more excited by a particular sound or a particular colour ; but the ...
... character of their work . Many of the phenomena of art are explicable on this principle . Up to a certain point the human creature is capable of being more and more excited by a particular sound or a particular colour ; but the ...
Pagina 13
... character in conformity with their inherent differences . This contrast presents itself as the widest example of that law of contrasts which runs through the whole art , and forms , next to the definition of material , its most ...
... character in conformity with their inherent differences . This contrast presents itself as the widest example of that law of contrasts which runs through the whole art , and forms , next to the definition of material , its most ...
Pagina 23
... character of the performer adds so much to the effect . It is a sufficiently familiar fact that in our own times a performer of genius can move people more and make more genuine effect upon them with an extremely simple piece than a ...
... character of the performer adds so much to the effect . It is a sufficiently familiar fact that in our own times a performer of genius can move people more and make more genuine effect upon them with an extremely simple piece than a ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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