The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 16
... century , after having been under a gradual process of modification from an accepted nucleus for nearly a thousand years . Primeval savages were even worse off than mediaval Europeans . They did not know that they wanted a scale ; and ...
... century , after having been under a gradual process of modification from an accepted nucleus for nearly a thousand years . Primeval savages were even worse off than mediaval Europeans . They did not know that they wanted a scale ; and ...
Pagina 28
... century they had already developed a scale which has the appearance of being singularly complete , as it comprised all the intervals which are characteristic of both our major and minor modes , except the major seventh , which is our ...
... century they had already developed a scale which has the appearance of being singularly complete , as it comprised all the intervals which are characteristic of both our major and minor modes , except the major seventh , which is our ...
Pagina 41
... centuries of general disorganisation in which the collapse of the Roman Empire was going on , the traditions became obscure and probably conflicting in different centres . Το remedy this state of things efforts were made , especially by ...
... centuries of general disorganisation in which the collapse of the Roman Empire was going on , the traditions became obscure and probably conflicting in different centres . Το remedy this state of things efforts were made , especially by ...
Pagina 44
... centuries . At last , in the seventeenth century , men began to have a dis- tinct sense of an artistic classification of the notes of the scale . The name note or tonic of a scale arrived finally at its decisive position as the starting ...
... centuries . At last , in the seventeenth century , men began to have a dis- tinct sense of an artistic classification of the notes of the scale . The name note or tonic of a scale arrived finally at its decisive position as the starting ...
Pagina 45
Charles Hubert Hastings Parry. highest artistic development at least eight centuries ahead of all melodic systems ... century musicians did not want more accidentals than Bb , Fb , F C , and G. But as their sense for possibilities of ...
Charles Hubert Hastings Parry. highest artistic development at least eight centuries ahead of all melodic systems ... century musicians did not want more accidentals than Bb , Fb , F C , and G. But as their sense for possibilities of ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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