The Evolution of the Art of MusicD. Appleton, 1906 - 342 pagini |
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Pagina 14
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is [ 4 THE ART OF MUSIC.
... aimed at characteristic illustration of things which are interesting and attractive on other grounds than mere beauty of design or of texture . CHAPTER II SCALES THE first indispensable requirement of music is [ 4 THE ART OF MUSIC.
Pagina 70
... aimed at , but always in a self - con- tained manner ; that is , in such a manner that both the out- line of the melody and the general distribution of its phrases adapt themselves to closely coherent and intelligible principles of ...
... aimed at , but always in a self - con- tained manner ; that is , in such a manner that both the out- line of the melody and the general distribution of its phrases adapt themselves to closely coherent and intelligible principles of ...
Pagina 106
... aimed chiefly at making the accents and climaxes of the various voice parts constantly alternate with one another . One voice part rose when another fell , one held a note when another moved , one came to its highest climax at one ...
... aimed chiefly at making the accents and climaxes of the various voice parts constantly alternate with one another . One voice part rose when another fell , one held a note when another moved , one came to its highest climax at one ...
Pagina 109
... aimed by similar treat- ment of independent voice parts at obtaining beautiful effects of melodic variety within the bounds of the controlling unity of the harmony . The moods naturally became a little lighter and more lively than in ...
... aimed by similar treat- ment of independent voice parts at obtaining beautiful effects of melodic variety within the bounds of the controlling unity of the harmony . The moods naturally became a little lighter and more lively than in ...
Pagina 114
... aimed at more definite expression and more close attention to the words than would have been consistent with the artistic intentions of the early Netherland and Italian masters . But the expansion of the style in these directions bore ...
... aimed at more definite expression and more close attention to the words than would have been consistent with the artistic intentions of the early Netherland and Italian masters . But the expansion of the style in these directions bore ...
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Termeni și expresii frecvente
achieved adopted arias arpeggios artistic Bach Bach's beauty Beethoven branch of art cadence century character characteristic choral music chords chorus colour complete composers contrapuntal contrast contrived counterpoint definite devices dramatic early effect emotional emphasised expression familiar feeling fugues genuine German Handel harmonic form harmonic music harmony harpsichord Haydn human ideas Illustrations important influence instinct instru instrumental music intelligible intervals Italian J. S. Bach kind means melodic systems melody ment methods mind minor modern music modes mood movement Mozart musicians nature notes octave opera opera seria oratorio orchestral organ music organised ornamental passages pentatonic perfect phrases pianoforte polyphonic possible principles of design progress pure rhythm rhythmic scale scheme semitones sense singers singing solo solo music sonata sonata form song sound style successful symphonies tetrachord Teutonic things tion tonality tone tonic treatment utterance variety various violin vocal voice whole
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