Romani Routes: Cultural Politics and Balkan Music in Diaspora

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Oxford University Press, 21 dec. 2011 - 432 pagini
Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.
 

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Cuprins

About the Companion Website
History Politics and Performance
Musical Styles and Genres
Dilemmas of Diaspora Hybridity and Identity
Transnational Families
Transnational Celebrations
Transnational Dance
Dilemmas of Heritage and the Bulgarian Socialist State
Cultural Politics of Postsocialist Markets and Festivals
Chalga
Queen of Gypsy Music
Saxophonist Refugee Citizen
Romani Music as World Music
Collaboration Appropriation and Transnational Flows

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Despre autor (2011)

Carol Silverman, Professor of Anthropology and Folklore at the University of Oregon, has been involved with Romani culture for over 25 years as a researcher, teacher, activist, and performer. Her numerous articles have appeared in anthropology, folklore, ethnomusicology, and cultural studies publications.

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