Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public ArenaRoutledge, 12 dec. 2012 - 376 pagini The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. |
Cuprins
| 1 | |
| 11 | |
PART II The Rebirth of Theatre as Comedy out of the Spirit of Byzantium | 69 |
Visions and Realities of Commedification | 195 |
PART IV The Rebirth of Commedia dellArte as the AvantGarde | 251 |
Conclusion | 295 |
Notes | 299 |
| 311 | |
| 329 | |
| 339 | |
Alte ediții - Afișează-le pe toate
Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the ... Árpád Szakolczai Previzualizare limitată - 2013 |
Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the ... Árpád Szakolczai Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
16th century actors argued Arlecchino artist aspects audience ballet Baudelaire became become Bergson Birth of Tragedy buffoons Byzantine spirit Byzantine world Byzantium Callot capture carnival central century character characteristic charlatans Chrysoloras classical close clown comedy comic commedia dell’arte concerning connected Constantinople Conversini court culture dancing Debureau decades developed Diaghilev Dionysian effect evident evoked experience famous Ferrara figure Giesen Greek Guarino Habermas Habermas’s Hamlet Hamvas Harlequin Hippodrome historical human humanist Ibid idea identity imitation impact important Italian Italy laughter Libanius liminal mask Meyerhold mime modern moresca Nietzsche Nietzsche’s Nijinsky ofthe painting pantomime paradox particular performances philosophy Pierrot Pisanello Plato play political problem problematic public sphere Pulcinella radical realised rebirth of theatre recognised Renaissance ritual role Roman Rome scene schismogenesis schismogenic Second Sophistic sense Shakespeare significance simply social sophists spectacle stage Szakolczai theatrical Tiepolo tion tragedy trickster Venetian Venice Wagner Zanni