Henry VRandom House Publishing Group, 16 sept. 2009 - 320 pagini A triumphantly patriotic play that also casts a critical eye at war and warriors, this great epic drama depicts a charismatic ruler in a time of national struggle. The young King Henry’s victory over the French despite overwhelming odds creates a spectacle of action, color, and thundering battles. Whether the warrior-king is urging his men “Once more unto the breach, dear friends,” or wooing Katharine of France, Henry is magnificently adapted to the role he must play in England’s greatness. Henry V represents the culmination of Shakespeare’s art as a writer of historical drama. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Pagina xi
... face the consequences of his destiny. “I do, I will," he answers (lines 4'/Z—6), in a tone that can vary onstage (depending on the actor) from sober resolution to fond regret. Hotspur, too, is regarded as a son by more than one father ...
... face the consequences of his destiny. “I do, I will," he answers (lines 4'/Z—6), in a tone that can vary onstage (depending on the actor) from sober resolution to fond regret. Hotspur, too, is regarded as a son by more than one father ...
Pagina xvi
... face and play the business of being caught out in a lie with the resourcefulness of a practiced liar. At Shrewsbury Field, before the battle (5.1), Falstaff was sometimes directed to sit on a drum next to Henry IV and then tumble off ...
... face and play the business of being caught out in a lie with the resourcefulness of a practiced liar. At Shrewsbury Field, before the battle (5.1), Falstaff was sometimes directed to sit on a drum next to Henry IV and then tumble off ...
Pagina xxvii
... face that refuses to heal. Giles had previously directed Richard ll for the series and was contracted also to do the second part of Henry IV and Henry V. This allowed Giles to conceive of the characters as continuous from play to play ...
... face that refuses to heal. Giles had previously directed Richard ll for the series and was contracted also to do the second part of Henry IV and Henry V. This allowed Giles to conceive of the characters as continuous from play to play ...
Pagina 10
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Pagina 26
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Termeni și expresii frecvente
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