A Study in AestheticsMacmillan, 1931 - 415 pagini |
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Pagina 178
... imitation we usually mean representation in some medium , say colour spread upon a flat surface , the limitations ... Imitation is never thoroughgoing in true art . Imitation may be , some- times , a part of the process , but is never ...
... imitation we usually mean representation in some medium , say colour spread upon a flat surface , the limitations ... Imitation is never thoroughgoing in true art . Imitation may be , some- times , a part of the process , but is never ...
Pagina 179
... imitation to select to eliminate , to stress , to add , to con- struct a process which only properly ends , as we have seen , in the completion of a work of art . His ' imitation ' is a qualified one , though it is still so much of an ...
... imitation to select to eliminate , to stress , to add , to con- struct a process which only properly ends , as we have seen , in the completion of a work of art . His ' imitation ' is a qualified one , though it is still so much of an ...
Pagina 180
... imitation at all . This is true of the imitations which may occur in programme music . But programme music , of course , need not contain imitations in the crude sense of sound - imitations of sounds , say pastoral sounds or storms at ...
... imitation at all . This is true of the imitations which may occur in programme music . But programme music , of course , need not contain imitations in the crude sense of sound - imitations of sounds , say pastoral sounds or storms at ...
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Termeni și expresii frecvente
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude bodily body called chapter character classicism Clive Bell cognised comic complex conscious course Croce difficult drama effects embodied emotions essential evil example exist fact feeling fulfilment fused hand human I. A. Richards Ibid idea imagination imitation implies important imputed inspiration interest kind knowledge Lascelles Abercrombie Macbeth Martin Secker matter meaning mental merely mind moral nature opera organic painting perceived object perception perfection perhaps perspective picture plastic pleasure poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realism reality relation revealed romanticism sensa sense sensuous significance simple speaking sublime suggest teleological tendency term terminal object theory things tion tragedy true truth ugliness unity unpleasant vision visual words