The Dramatic Works of William Shakespeare: Merchant of Venice. As you like it. All's well that ends well. Taming of the shrewC. Whittingham, 1826 |
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Pagina 2
... scene opens with the playful prattling of two lovers in a summer moonlight , When the sweet wind did gently kiss the trees . ' It is followed by soft music and a rapturous eulogy on this powerful disposer of the human mind and the world ...
... scene opens with the playful prattling of two lovers in a summer moonlight , When the sweet wind did gently kiss the trees . ' It is followed by soft music and a rapturous eulogy on this powerful disposer of the human mind and the world ...
Pagina 4
... SCENE , partly at Venice , and partly at Belmont , the Seat of Portia , on the Continent . * This enumeration of the Dramatis Persona is by Mr. Rowe . MERCHANT OF VENICE . ACT I. SCENE I. Venice . PERSONS REPRESENTED *. ...
... SCENE , partly at Venice , and partly at Belmont , the Seat of Portia , on the Continent . * This enumeration of the Dramatis Persona is by Mr. Rowe . MERCHANT OF VENICE . ACT I. SCENE I. Venice . PERSONS REPRESENTED *. ...
Pagina 15
... SCENE III . Venice . A public Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you , Antonio shall be bound ...
... SCENE III . Venice . A public Place . Enter BASSANIO and SHYLOCK . Shy . Three thousand ducats , -well . Bass . Ay , sir , for three months . Shy . For three months , -well . Bass . For the which , as I told you , Antonio shall be bound ...
Pagina 22
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; POR- TIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
... SCENE I. Belmont . A Room in Portia's House . Flourish of Cornets . Enter the Prince of Morocco , and his Train ; POR- TIA , NERISSA , and other of her Attendants . Mor . Mislike me not for my complexion , The shadow'd livery of the ...
Pagina 24
... SCENE II . Venice . A Street . Enter LAUNCELOT GOBBO1 . Laun . Certainly my conscience will serve me to run from this Jew , my master : The fiend is at mine elbow ; and tempts me , saying to me , Gobbo , Laun- celot Gobbo , good ...
... SCENE II . Venice . A Street . Enter LAUNCELOT GOBBO1 . Laun . Certainly my conscience will serve me to run from this Jew , my master : The fiend is at mine elbow ; and tempts me , saying to me , Gobbo , Laun- celot Gobbo , good ...
Termeni și expresii frecvente
aglets Antonio Baptista Bass Bassanio Bertram better Bian Bianca Bion Biondello Cotgrave Count daughter doth ducats Duke Enter Exeunt Exit eyes fair father fool forest of Arden fortune gentleman give Gratiano Grumio hast hath hear heart heaven honour Hortensio Jessica Kate Kath King knave lady Lafeu Laun Launcelot look lord Love's Labour's Lost Lucentio madam maid Malone marry master means Merchant of Venice merry mistress musick Nerissa never old copy reads Orlando Padua Parolles Petruchio Phebe play Portia pr'ythee pray ring Rosalind Rousillon Salan Salar SCENE Servant Shakspeare Shakspeare's Shylock Signior sirrah speak Steevens swear sweet tell thee thing thou art Touch Tranio Troilus and Cressida unto Venice Vincentio wife word young
Pasaje populare
Pagina 149 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
Pagina 49 - Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? if you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? if we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian,...
Pagina 95 - The crow doth sing as sweetly as the lark, When neither is attended ; and I think The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Pagina 444 - Such duty as the subject owes the prince, Even such a woman oweth to her husband: And, when she's froward, peevish, sullen, sour, And not obedient to his honest will, What is she but a foul contending rebel, And graceless traitor to her loving lord ? — I am ashamed that women are so simple To offer war where they should kneel for peace ; Or seek for rule, supremacy, and sway, When they are bound to serve, love, and obey.
Pagina 129 - Now, my co-mates, and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
Pagina 143 - twill be eleven ; And so, from hour to hour, we ripe and ripe, And then from hour to hour, we rot and rot, And thereby hangs a tale.
Pagina 37 - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Pagina 11 - If to do were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.