Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His ContemporariesDuke University Press, 2004 - 312 pagini When it was first published, Radical Tragedy was hailed as a groundbreaking reassessment of the drama of Shakespeare and his contemporaries. An engaged reading of the past with compelling contemporary significance, Radical Tragedy remains a landmark study of Renaissance drama. The third edition of this critically acclaimed work includes a new foreword by Terry Eagleton and an extensive new introduction by the author. |
Cuprins
Acknowledgements | ix |
Foreword | x |
Introduction to the Third Edition | xiv |
September 2001 | xvi |
September 1939 | xix |
Art and Humanism | xxii |
Humanism and Materialism | xxv |
Returns | xxvi |
Mustapha c 15946 Ruined Aesthetic Ruined Theology | 120 |
Tragedy as Dislocation | 123 |
Sejanus 1603 History and Realpolitik | 134 |
The Revengers Tragedy c 1606 Providence Parody and Black Camp | 139 |
ii Desire and Death | 143 |
MAN DECENTRED | 151 |
Subjectivity and Social Process | 153 |
i Tragedy Humanism and the Transcendent Subject | 156 |
Knowledge and Desire | xxx |
Notes | xxxv |
Bibliography | xxxvii |
Introduction to the Second Edition | xli |
RADICAL DRAMA ITS CONTEXTS AND EMERGENCE | 1 |
Contexts | 3 |
Order versus History | 5 |
ii Ideology Religion and Renaissance Scepticism | 9 |
iii Ideology and the Decentring of Man | 17 |
iv Secularism versus Nihilism | 19 |
v Censorship | 22 |
vi Inversion and Misrule | 25 |
Emergence Marstons Antonio Plays c 15991601 and Shakespeares Troilus and Cressida c 16012 | 29 |
i Discontinuous Identity 1 | 30 |
ii Providence and Natural Law 1 | 36 |
iii Discontinuous Identity 2 | 40 |
iv Providence and Natural Law 2 | 42 |
v Ideology and the Absolute | 44 |
vi Social Contradiction and Discontinuous Identity | 47 |
vii Renaissance Man versus Decentred Malcontent | 49 |
STRUCTURE MIMESIS PROVIDENCE | 51 |
Structure From Resolution to Dislocation | 53 |
ii Archer and Eliot | 56 |
iii Coherence and Discontinuity | 59 |
A Different Reality | 63 |
Renaissance Literary Theory Two Concepts of Mimesis | 70 |
i Poetry versus History | 71 |
ii The Fictive and the Real | 73 |
The Disintegration of Providentialist Belief | 83 |
ii Providentialism and History | 87 |
iii Organic Providence | 90 |
iv From Mutability to Cosmic Decay | 92 |
v Goodman and Elemental Chaos | 99 |
vi Providence and Protestantism | 103 |
vii Providence Decay and the Drama | 107 |
Dr Faustus c 158992 Subversion Through Transgression | 109 |
i Limit and Transgression | 110 |
ii Power and the Unitary Soul | 116 |
ii The Jacobean Displacement of the Subject | 158 |
Christianity Stoicism and Renaissance Humanism | 161 |
iv Internal Tensions | 163 |
v AntiEssentialism in Political Theory and Renaissance Scepticism | 169 |
vi Renaissance Individualism? | 174 |
Bussy DAmbois c 1604 A Hero at Court | 182 |
ii Court Power and Native Noblesse | 185 |
King Lear c 16056 and Essentialist Humanism | 189 |
Two Sides of Essentialist Humanism | 191 |
A Materialist Reading | 195 |
iii The Refusal of Closure | 202 |
Antony and Cleopatra c 1607 Virtus under Erasure | 204 |
i Virtus and History | 206 |
ii Virtus and Realpolitik I | 207 |
iii Honour and Policy | 213 |
iv Sexuality and Power | 215 |
Coriolanus c 1608 The Chariot Wheel and its Dust | 218 |
ii Essentialism and Class War | 222 |
The White Devil 1612 Transgression Without Virtue | 231 |
ii The Virtuous and the Vicious | 232 |
iii Sexual and Social Exploitation | 235 |
iv The Assertive Woman | 239 |
v The Dispossessed Intellectual | 242 |
vi Living Contradictions | 244 |
SUBJECTIVITY IDEALISM VERSUS MATERIALISM | 247 |
Beyond Essentialist Humanism | 249 |
i Origins of the Transcendent Subject | 250 |
ii Essence and Universal Enlightenment Transitions | 253 |
iii Discrimination and Subjectivity | 256 |
Pope to Eliot | 258 |
v Existentialism | 262 |
vi Lawrence Leavis and Individualism | 264 |
vi The Decentred Subject | 269 |
Notes | 272 |
290 | |
307 | |
311 | |
Alte ediții - Afișează-le pe toate
Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare ... Jonathan Dollimore Previzualizare limitată - 2010 |
Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare ... Jonathan Dollimore Previzualizare limitată - 2010 |
Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare ... Jonathan Dollimore Vizualizare fragmente - 2004 |
Termeni și expresii frecvente
aesthetic Antonio's Revenge Antony Antony and Cleopatra argued becomes belief Brachiano Brecht Bussy Bussy D'Ambois century chapter Christian Christopher Hill Cleopatra conception conflict consciousness contemporary context contradiction Coriolanus cosmic decay critique cultural death decentring dislocation displaced divine dominant Dr Faustus Duchess of Malfi effect Elizabethan English English Studies especially Essays essence essential essentialist essentialist humanism evil example fact Flamineo gender Greville Hobbes homosexuality humanist idea idealist identity ideology important individual italics Jacobean drama Jacobean tragedy justice kind King Lear literary criticism literature London man's Marxism materialist metaphysical mimesis modern Montaigne moral Mustapha perspective philosophy play play's political providential providentialist Radical Tragedy realism reality relation religion Renaissance Revenger's Tragedy says scene sceptical Sejanus sense sexual Shakespeare social society soul stoicism structure subversive Terry Eagleton theatre theory things tion tradition tragic transcendent Transgression Troilus truth universal virtue Vittoria Webster women
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