Writings on Art and LiteratureStanford University Press, 1997 - 290 pagini Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory. Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor. In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize." |
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Cuprins
Psychopathic Characters on the Stage | 87 |
The Antithetical Meaning of Primal Words | 94 |
from Fairy Tales ΙΟΙ | 101 |
The Theme of the Three Caskets | 109 |
The Moses of Michelangelo | 122 |
Some CharacterTypes Met with | 151 |
S On Transience | 176 |
SA Childhood Recollection from | 182 |
S The Uncanny | 193 |
Dostoevsky and Parricide | 234 |
The Goethe Prize | 256 |
S Medusas Head | 264 |
Works Cited | 283 |
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Termeni și expresii frecvente
already aroused artist beard become Bertgang brother Brothers Karamazov castration castration complex character childhood conscious Coppelius dead death delusion Dostoevsky's doubt erotic essay explained expression eyes fact fairy fairy tales father fear feeling figure Freud gait German girl Goddess Goethe Goethe Prize Golden Calf Gradiva heimelig heimlich hero human imagination impression impulse instance Interpretation of Dreams James Strachey journey kind later living lizard Macbeth meaning memories mental Michelangelo mid-day mind Moses motive murder neurosis neurotic Norbert Hanold object Oedipus Oedipus complex once origin paper patient perhaps person phantasy play Pompeii possible psychical psycho-analytic punishment reality recognized relation remarkable repressed Rosmer Rosmersholm Sand-Man scene seems sense of guilt sexual Sigmund Freud sister Standard story strange super-ego Tables theme Theodor Reik thing thought tion turn uncanny effect unconscious unheimlich Wilhelm Jensen wish woman words writing young