Sensation and Intuition: Studies in Psychology and AestheticsH. S. King, 1874 - 372 pagini |
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Pagina v
... Musical Form ) may be regarded as new contributions . The remaining chapters of the volume have not been previously published . The author would tender his best thanks to Professor Bain and to Mr. Herbert Spencer for their kindness in ...
... Musical Form ) may be regarded as new contributions . The remaining chapters of the volume have not been previously published . The author would tender his best thanks to Professor Bain and to Mr. Herbert Spencer for their kindness in ...
Pagina xii
... musical sensation 164 Subjective analysis of musical sensations . Musical sensations resolvable into tones and their combinations in melody and harmony Peculiar nature of the feeling of musical concord Physiological antecedents of musical ...
... musical sensation 164 Subjective analysis of musical sensations . Musical sensations resolvable into tones and their combinations in melody and harmony Peculiar nature of the feeling of musical concord Physiological antecedents of musical ...
Pagina xiii
... musical Foot or Bar III . On absolutę Time as a property of music ( B ) The quality of Emphasis or Accent as an ingredient in musical form · ( C ) Properties of musical form connected with the Pitch or Height of tones : - 191 · 193 194 ...
... musical Foot or Bar III . On absolutę Time as a property of music ( B ) The quality of Emphasis or Accent as an ingredient in musical form · ( C ) Properties of musical form connected with the Pitch or Height of tones : - 191 · 193 194 ...
Pagina xiv
... MUSICAL EXPRESSION . Various theories respecting the representative function of music Analysis of the expressive function of music . Impressions of musical tones do not call forth the perceptive activities to objective realities • PAGE ...
... MUSICAL EXPRESSION . Various theories respecting the representative function of music Analysis of the expressive function of music . Impressions of musical tones do not call forth the perceptive activities to objective realities • PAGE ...
Pagina xvii
... musical transition . 316 Criticism of Lessing's views . Was he susceptible to the deepest emotional effects of music ? 317 Lessing's conception of Dramatic Poetry . • Aim of the critic , to show the poverty of the French drama and its ...
... musical transition . 316 Criticism of Lessing's views . Was he susceptible to the deepest emotional effects of music ? 317 Lessing's conception of Dramatic Poetry . • Aim of the critic , to show the poverty of the French drama and its ...
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Termeni și expresii frecvente
absolute magnitude activity æsthetic appears Aristotle artistic aspects association beauty belief character chord clang colour complex conceive conception Concrete Psychology connection consciousness Darwin definite degree discriminative distinct distinctly distinguished doctrine doubt effect elements emotional example excitement existence experience expression external fact Fechner feeling fibres force gratification harmony Helmholtz highly composite human mind human voice idea ideal impression impulse individual influence instinctive intellectual intensity interval J. S. Mill large number less light melody ment mental millimetres mode moral movements musical musical form nature nervous notes object observation organic painful peculiar perception phenomena physiologist pitch pleasure possible precise present principle Principles of Psychology processes produce psychological racter reality recognised relation respect result retina seems semitone sensation sensibility sentiment simple sound Spencer spontaneous stimulation subjective supposed supposition susceptible tendency theory thought timbre tion tones upper-tones vague variety vocal volition voluntary action Weber's law