Sensation and Intuition: Studies in Psychology and Aesthetics

absolute magnitude activity æsthetic appears Aristotle artistic aspects association beauty belief character chord clang colour complex conceive conception Concrete Psychology connection consciousness Darwin definite degree discriminative distinct distinctly distinguished doctrine doubt effect elements emotional example excitement existence experience expression external fact Fechner feeling fibres force gratification harmony Helmholtz highly composite human mind human voice idea ideal impression impulse individual influence instinctive intellectual intensity interval J. S. Mill large number less light melody ment mental millimetres mode moral movements musical musical form nature nervous notes object observation organic painful peculiar perception phenomena physiologist pitch pleasure possible precise present principle Principles of Psychology processes produce psychological racter reality recognised relation respect result retina seems semitone sensation sensibility sentiment simple sound Spencer spontaneous stimulation subjective supposed supposition susceptible tendency theory thought timbre tion tones upper-tones vague variety vocal volition voluntary action Weber's law