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vation, as well as beauty, in these rural delinea-
tions, that we cannot conceive their ever being
considered obsolete or uninteresting. In them
she has treasured not only the results of long and
familiar observation, but the feelings and con-
ceptions of a truly poetical mind. She is a prose
Cowper, without his gloom or bitterness.
1838, Miss Mitford's name was added to the
pension-list-a well-earned tribute to one whose
genius had been devoted to the honour and
embellishment of her country. Though suffer-
ing almost constantly for many years from de-
bility or acute pain, she continued her literary
pursuits. In 1852, she published Recollections of
a Literary Life, three volumes-a work consisting
chiefly of extracts-and in 1854, Atherston, and
other Tales, three volumes. The same year she
published a collected edition of her Dramatic
Works. She died at her residence near Reading
in January 1855, aged sixty-nine.

Tom Cordery, the Poacher.

aptness to like, which is certain to be repaid in kind; the very dogs knew him, and loved him, and would beat for him almost as soon as for their master. Even May, the most sagacious of greyhounds, appreciated his talents, and would as soon listen to Tom sohoing as to old Tray giving tongue.

This human oak grew on the wild North-of-Hampshire country; a country of heath, and hill, and forest, partly reclaimed, inclosed, and planted by some of the greater proprietors, but for the most part uncultivated and uncivilised, a proper refuge for wild animals of every species. Of these the most notable was my friend Tom Cordery, who presented in his own person no unfit emblem of the district in which he lived-the gentlest of savages, the wildest of civilised men. He was by calling rat-catcher, hare-finder, and broom-maker; a triad of trades which he had substituted for the one grand profession of poaching, which he followed in his younger days with unrivalled talent and success, and would, undoubtedly, have pursued till his death, had not the bursting of an overloaded gun unluckily shot off his left hand. As it was, he still contrived to mingle a little of his old unlawful occupation with his honest callings; was a reference of high authority amongst the young aspirants, an adviser of undoubted honour and secrecy-wife-for he was married, though without a familysuspected, and more than suspected, as being one who, though he played no more, o'erlooked the cards.' Yet he kept to windward of the law, and indeed contrived to be on such terms of social and even friendly intercourse with the guardians of the game on M- Common, as may be said to prevail between reputed thieves and the myrmidons of justice in the neighbourhood of Bow Street.

Never did any human being look more like that sort of sportsman commonly called a poacher. He was a tall, finely-built man, with a prodigious stride, that cleared the ground like a horse, and a power of continuing his slow and steady speed, that seemed nothing less than miraculous. Neither man, nor horse, nor dog, could out-tire him. He had a bold, undaunted presence, and an evident strength and power of bone and muscle. You might see, by looking at him, that he did not know what fear meant. In his youth he had fought more battles than any man in the forest. He was as if born without nerves, totally insensible to the recoils and disgusts of humanity. I have known him take up a huge adder, cut off its head, and then deposit the living and writhing body in his brimless hat, and walk with it coiling and wreathing about his head, like another Medusa, till the sport of the day was over, and he carried it home to secure the fat. With all this iron stubbornness of nature, he was of a most mild and gentle demeanour, had a fine placidity of countenance, and a quick blue eye beaming with good-humour. His face was sunburnt into one general pale vermilion hue that overspread all his features; his very hair was sunburnt

too.

Everybody liked Tom Cordery. He had himself an

Behind those sallows, in a nook between them and the hill, rose the uncouth and shapeless cottage of Tom Cordery. It is a scene which hangs upon the eye and the memory, striking, grand-almost sublime, and, above all, eminently foreign. No English painter would choose such a subject for an English landscape; no one, in a picture, would take it for English. It might pass for one of those scenes which have furnished models to Salvator Rosa. Tom's cottage was, however, very thoroughly national and characteristic; a low, ruinous hovel, the door of which was fastened with a sedulous attention to security, that contrasted strangely with the tattered thatch of the roof and the half-broken windows. usual signs of cottage habitation; yet the house was No garden, no pigsty, no pens for geese, none of the covered with nondescript dwellings, and the very walls were animate with their extraordinary tenantspheasants, partridges, rabbits, tame wild-ducks, halftame hares, and their enemies by nature and education, the ferrets, terriers, and mongrels, of whom his retinue consisted. Great ingenuity had been evinced in keeping separate these jarring elements; and by dint of hutches, cages, fences, kennels, and half-a-dozen little hurdled inclosures, resembling the sort of courts which children are apt to build round their card-houses, peace was in general tolerably well preserved. Frequent sounds, however, of fear or of anger, as their several instincts were aroused, gave token that it was but a forced and hollow truce; and at such times the clamour was prodigious. Tom had the remarkable tenderness for animals when domesticated, which is so often found in those whose sole vocation seems to be their destruction in the field; and the one long, straggling, unceiled, barn-like room, which served for kitchen, bed-chamber, and hall, was cumbered with bipeds and quadrupeds of all kinds and descriptions-the sick, the delicate, the newly caught, the lying-in. In the midst of this menagerie sat Tom's married to a woman lame of a leg, as he himself was minus an arm-now trying to quiet her noisy inmates, now to outscold them. How long his friend, the keeper, would have continued to wink at this den of live game, none can say the roof fairly fell in during the deep snow of last winter, killing, as poor Tom observed, two as fine litters of rabbits as ever were kittened. Remotely, I have no doubt that he himself fell a sacrifice to this misadventure. The overseer, to whom he applied to reinstate his beloved habitation, decided that the walls would never bear another roof, and removed him and his wife, as an especial favour, to a tidy, snug, comfortable room in the workhouse. The workhouse! From that hour poor Tom visibly altered. He lost his hilarity and independence. It was a change such as he had himself often inflicted-a complete change of habits, a transition from the wild to the tame. No labour was demanded of him; he went about as before, finding hares, killing rats, selling brooms; but the spirit of the man was departed. He talked of the quiet of his old abode, and the noise of his new; complained of children and other bad company; and looked down on his neighbours with the sort of contempt with which a cockpheasant might regard a barn-door fowl. Most of all did he, braced into a gipsy-like defiance of wet and cold, grumble at the warmth and dryness of his apartment. He used to foretell that it would kill him, and assuredly it did so. Never could the typhus fever have found out that wild hillside, or have lurked under that broken roof. The free touch of the air would have chased the demon. Alas, poor Tom! warmth, and snugness, and comfort, whole windows, and an entire ceiling, were the death of him. Alas, poor Tom!

THOMAS LOVE PEACOCK.

THOMAS LOVE PEACOCK (1788-1866) was born at Weymouth, the son of a London merchant. He was an accomplished classical scholar, though self-taught from the age of thirteen. He was long connected with the East India Company, and in

1816 came to be Chief Examiner of Indian corre

spondence, as successor to James Mill, the historian. On Peacock's retirement in 1856, John Stuart Mill took his place. Peacock was the author of some lively, natural, and descriptive novels, with little plot or story, but containing witty and sarcastic dialogues, with copies of verses above mediocrity, and sketches of eccentric character. Headlong Hall was produced in 1816; Nightmare Abbey in 1818; Maid Marian in 1822; Misfortunes of Elphin in 1829; Crotchet Castle in 1831; and Gryll Grange in 1860-the last, though written when its author was seventy-two, is as full of humour and clever dialogue as his earlier tales. Besides these works of fiction, Peacock wrote several poetical satires and other poems, and contributed to Fraser's Magazine Memoirs of Shelley, with whom he was on terms of close intimacy. Conjointly with Byron, he was named as Shelley's executor, with a legacy of £1000. To Peacock we owe a clear and authentic account of the most interesting passages of Shelley's life and domestic history. In 1875 the collected works of Peacock were published in three volumes, with a Preface by Lord Houghton, and a biographical notice by Peacock's granddaughter, Edith Nicolls.

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‘Ay, ay,' said the baron, ‘I have recognised you long ago.

And recognise your young friend Gamwell,' said the second, in the outlaw Scarlet.'

'And Little John, the page,' said the third, 'in Little John the outlaw.'

And Father Michael of Rubygill Abbey,' said the friar, in Friar Tuck of Sherwood Forest. Truly I have a chapel here hard by in the shape of a hollow tree, where put up my prayers for travellers, and Little John holds the plate at the door, for good praying deserves good paying.'

"I am in fine company,' said the baron.

tude or peasantry of wild boars, by right of conquest and force of arms. He levies contributions among them by the free consent of his archers, their virtual representatives. If they should find a voice to complain that we are "tyrants and usurpers, to kill and cook them up in their assigned and native dwelling-place," we should most convincingly admonish them, with point of arrow, that they have nothing to do with our laws but to obey shall be fed upon by the mighty in the land? And have not they, withal, my blessing?—my_orthodox, canonical, and archiepiscopal blessing? Do I not give thanks for them when they are well roasted and smoking under my nose? What title had William of Normandy to England that Robin of Locksley has not to merry Sherwood? William fought for his claim. So does Robin. With whom both? With any that would or will dispute it. William raised contributions. So does Robin. From whom both? From all that they could or can make pay them. Why did any pay them to William? Why do any pay them to Robin? For the same reason to both indeed, in this, that William took from the -because they could not or cannot help it. They differ, poor and gave to the rich, and Robin takes from the rich and gives to the poor; and therein is Robin illegitimate, though in all else he is true prince. Scarlet and John, are they not peers of the forest?-lords temporal of Sherwood? And am not I lord spiritual? Am I not archbishop? Am I not Pope? Do I not consecrate their banner and absolve their sins? Are not they State, and am not I Church? Are not they State monarchical, and am not I Church militant? Do I not excommunicate our enemies from venison and brawn, and, by 'r Lady! when need calls, beat them down under my feet? The State levies tax, and the Church levies tithe. Even so do we. Mass-we take all at once. What then? It is tax by redemption, and tithe by commutation. Your William and Richard can cut and come again, but our Robin deals with slippery subjects that come not twice to his exchequer. What need we, then, to constitute a court, except a fool and a laureate? For the fool, his only use is to make false knaves merry by art, and we are true men, and are merry by nature. For the laureate, his only office is to find virtues in those who have none, and to drink sack for his pains. We have quite virtue enough to need him not, and can drink our sack for ourselves."

them. Is it not written that the fat ribs of the herd

'Well preached, friar,' said Robin Hood; yet there is one thing wanting to constitute a court, and that is a queen.-And now, lovely Matilda, look round upon these silvan shades, where we so often have roused the stag from his ferny covert. The rising sun smiles upon us through the stems of that beechen knoll. Shall I take your hand, Matilda, in the presence of this my court? Shall I crown you with our wildwood coronal, and hail you Queen of the Forest? Will you be the Queen Matilda of your own true King Robin?' Matilda smiled assent.

'Not Matilda,' said the friar: the rules of our holy alliance require new birth. We have excepted in favour of Little John, because he is Great John, and his name is a misnomer. I sprinkle not thy forehead with water, but thy lips with wine, and baptise thee MARIAN.'

Winter Scenery: Waterfalls in Frost.

From Letter written in Wales.

'In the very best of company,' said the friar; in the high court of Nature, and in the midst of her own nobility. Is it not so? This goodly grove is our palace; the oak and the beech are its colonnade and its canopy; the sun, and the moon, and the stars, are its everlasting lamps; the grass, and the daisy, and the primrose, and the violet, are its many-coloured floor of green, white, yellow, and blue; the Mayflower, and the woodbine, and the eglantine, and the ivy, are its decorations, its curtains, and its tapestry; the lark, and the thrush, and the linnet, and the nightingale, are its unhired minstrels and musicians. Robin Hood is king of the forest both by dignity of birth and by virtue of his standing army, to say nothing of the free choice of his people, which he has indeed; but I pass it by as an illegitimate basis of power. He holds his dominion over the forest, and its horned multitude of citizen-deer, and its swinish multi-beauties of nature.

I wish I could find language sufficiently powerful to convey to you an idea of the sublime magnificence of the waterfalls in the frost, when the old, overhanging oaks are spangled with icicles; the rocks sheeted with frozen foam, formed by the flying spray; and the water that oozes from their sides congealed into innumerable pillars of crystal. Every season has its charms. The pictur esque tourists-those birds of summer-see not half the

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CYCLOPÆDIA OF

Miss Ilex. Few may perceive an inaccuracy, but to those who do, it causes a great diminution, if not a total destruction, of pleasure in perusal. Shakspeare Wordsnever makes a flower blossom out of season! worth, Coleridge, and Southey are true to nature in this and in all other respects, even in their wildest imaginings.

The Rev. Dr Opimian. Yet here is a combination, by one of our greatest poets, of flowers that never blossom

in the same season:

Bring the rathe primrose that forsaken dies,
The tufted crow-toe and pale jessamine,

The white pink, and the pansy freaked with jet,
The glowing violet,

The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears:
Bid amaranthus all his beauty shed,
And daffodillies fill their cups with tears,
To deck the laureate hearse where Lycid lies.
[MILTON'S Lycidas.]

And at the same time he plucks the berries of the myrtle
and the ivy.

Miss Ilex. Very beautiful, if not true to English seasons; but Milton might have thought himself justified in making this combination in Arcadia. Generally, he is strictly accurate, to a degree that is in itself a beauty. For instance, in his address to the nightingale:

Thee, chauntress, oft the woods among,
I woo, to hear thy even song,

And missing thee, I walk unseen
On the dry smooth-shaven green.

The song of the nightingale ceases about the time that the grass is mown.

The Rev. Dr Opimian. The old Greek poetry is always true to nature, and will bear any degree of critical analysis. I must say I take no pleasure in poetry that will not.

Mr Mac-Borrowdale. No poet is truer to nature than
His imagery is
Burns, and no one less so than Moore.
almost always false. Here is a highly applauded stanza,
and very taking at first sight:

The night-dew of heaven, though in silence it weeps,
Shall brighten with verdure the sod where he sleeps;
And the tear that we shed, though in secret it rolls,
Shall long keep his memory green in our souls.

But it will not bear analysis. The dew is the cause of
the verdure, but the tear is not the cause of the memory:
the memory is the cause of the tear.

The Rev. Dr Opimian. There are inaccuracies more offensive to me than even false imagery. Here is one in a song which I have often heard with displeasure. A young man goes up a mountain, and as he goes higher and higher, he repeats Excelsior! but excelsior is only taller in the comparison of things on a common basis, not higher as a detached object in the air. Jack's bean-stalk was excelsior the higher it grew, but Jack himself was no more celsus at the top than he had been

at the bottom.

Mr Mac-Borrowdale. I am afraid, doctor, if you look for profound knowledge in popular poetry, you will often be disappointed.

The Rev. Dr Opimian. I do not look for profound knowledge; but I do expect that poets should underBurns was not a scholar, but stand what they talk of.

Mr Mac-Borrowdale. I should take it to be a description of the Queen of Bambo.

The Rev. Dr Opimian. Yet thus one of our most popular poets describes Cleopatra, and one of our most popular artists has illustrated the description by a portrait of a hideous grinning Ethiop! Moore led the way to this perversion by demonstrating that the Egyptian women must have been beautiful because they were the countrywomen of Cleopatra.' Here we have a sort of counter-demonstration that Cleopatra must have been a fright because she was the countrywoman of the EgypBut Cleopatra was a Greek, the daughter of tians. Ptolemy Auletes and a lady of Pontus. The Ptolemies were Greeks, and whoever will look at their genealogy, their coins, and their medals, will see how carefully they kept their pure blood uncontaminated by African intermixture. Think of this description and this picture applied to one who, Dio says—and all antiquity confirms him-was 'the most superlatively beautiful of women, splendid to see, and delightful to hear.' For she was eminently accomplished; she spoke many languages with grace and facility. Her mind was as wonderful as her personal beauty.

HISTORIANS AND BIOGRAPHERS.

In depth of research and critical investigation, to our literature. Access has been readily obtained the historical works of this period are honourable to all public documents, and private collections have been thrown open with a spirit of enlightened liberality. Certain departments of history—as the of the English constitution-have also been cultiAnglo-Saxon period, and the progress generally vated with superior learning and diligence. The great works of Hume, Robertson, and Gibbon, still maintain their literary pre-eminence, but the historical value of the first two has been materially diminished by subsequent inquiry and new information.

WILLIAM MITFORD.

The most elaborate and comprehensive work we have here to notice is The History of Greece from the Earliest Period, by William Mitford, Esq. (1744-1827). The first volume of Mr Mitford's History came before the public in 1784, a second was published in 1790, and a third in 1797. It was not, however, till 1810 that the work was completed. Mr Mitford, descended from an ancient family in Northumberland, was born educated first at Cheam School, Surrey, and afterin London on the 10th of February 1744, and was wards at Queen's College, Oxford. He studied the law, but abandoned it on obtaining a commission in the South Hampshire Militia, of which regiment he was afterwards lieutenant-colonel. In 1761, he succeeded to the family estate in Hampshire, and was thus enabled to pursue those classical and historical studies to which

he was ardently devoted. His first publication was an Essay on the Harmony of Language, inhe was always master of his subject. All the scholar-tended principally to illustrate that of the Engship of the world would not have produced Tam o'lish Language, 1774, which afterwards reached a Shanter, but in the whole of that poem there is not a false image nor a misused word. What do you suppose these lines represent?

I turning saw, throned on a flowery rise,
One sitting on a crimson scarf unrolled-

A queen with swarthy cheeks and bold black eyes,
Brow-bound with burning gold.

[TENNYSON'S Dream of Fair Women.]

second edition. While in the militia, he published a Treatise on the Military Force, and particularly of the Militia of the Kingdom. This subject seems to have engrossed much of his attention, for at a subsequent period of his life, when a member of the House of Commons, Mr Mitford advocated the cause of the militia with

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much fervour, and recommended a salutary jealousy relative to a standing army in this country. He was nevertheless a general supporter of ministers, and held the government appointment of Verdurer of the New Forest. Mr Mitford was twice elected member of parliament for the borough of Beer-Alston, in Devonshire, and afterwards for New Romney, in Kent. The History of Greece has passed through several editions. Byron says of Mr Mitford as an historian: His great pleasure consists in praising tyrants, abusing Plutarch, spelling oddly, and writing quaintly; and what is strange, after all, his is the best modern History of Greece in any language, and he is perhaps the best of all modern historians whatsoever. Having named his sins,' adds the noble poet, 'it is but fair to state his virtues learning, labour, research, wrath, and partiality. I call the latter virtues in a writer, because they make him write in earnest.' The earnestness of Mr Mitford is too often directed against what he terms 'the inherent weakness and the indelible barbarism of democratical government.' He was a warm admirer of the English constitution and of the monarchical form of government, and this bias led him to be unjust to the Athenian people, whom he on one occasion terms the sovereign beggars of Athens.' His fidelity as a reporter of facts has also been questioned. He contracts the strongest individual partialities, and according as these lead, he is credulous or mistrustful -he exaggerates or he qualifies-he expands or he cuts down the documents on which he has to proceed. With regard to the bright side of almost every king whom he has to describe, Mr Mitford is more than credulous; for a credulous Iman believes all that he is told: Mr Mitford believes more than he is told. With regard to the dark side of the same individuals, his habits of estimating evidence are precisely in the opposite extreme. In treating of the democracies or of the democratical leaders, his statements are not less partial and exaggerated.' It is undeniable that Mr Mitford over-coloured the evils of popular government; but there is so much acuteness and spirit in his political disquisitions, and his narrative of events is so animated, full, and distinct, that he is always read with pleasure. His qualifications were great, and his very defects constitute a sort of individuality that is not without its attraction in so long a History. A more democratic but also more comprehensive view of Grecian history was afterwards taken by Mr Grote.

Condemnation and Death of Socrates.

We are not informed when Socrates first became distinguished as a Sophist; for in that description of men he was in his own day reckoned. When the wit of Aristophanes was directed against him in the theatre, he was already among the most eminent, but his eminence seems to have been then recent. It was about the tenth or eleventh year of the Peloponnesian war, when he was six or seven and forty years of age, that, after the manner of the old comedy, he was offered to public derision upon the stage by his own name, as one of the persons of the drama, in the comedy of Aristophanes called The Clouds, which is yet extant.

Two or three and twenty years had elapsed since the first representation of The Clouds; the storms of

73

*Westminster Review for 1826.

conquest suffered from a foreign enemy, and of four revolutions in the civil government of the country, had passed; nearly three years had followed of that quiet which the revolution under Thrasybulus produced, and the act of amnesty should have confirmed, when a young man named Melitus went to the king-archon, and in the usual form delivered an information against Socrates, and bound himself to prosecute. The information ran thus: Melitus, son of Melitus, of the borough of Pitthos, declares these upon oath against Socrates, son of Sophroniscus, of the borough of Alopece: Socrates is guilty of reviling the gods whom the city acknowledges, and of preaching other new gods: moreover, he is guilty of corrupting the youth. Penalty, death.'

Xenophon begins his Memorials of his revered master with declaring his wonder how the Athenians could have been persuaded to condemn to death a man of Ælian, though for authority he can bear no comparison such uncommonly clear innocence and exalted worth. with Xenophon, has nevertheless, I think, given the solution. Socrates,' he says, 'disliked the Athenian constitution; for he saw that democracy is tyrannical, and abounds with all the evils of absolute monarchy.' But though the political circumstances of the times made it necessary for contemporary writers to speak with caution, yet both Xenophon and Plato have declared enough to shew that the assertion of Ælian was well founded; and further proof, were it wanted, may be derived from another early writer, nearly contemporary, and deeply versed in the politics of his age, the orator Aschines. Indeed, though not stated in the indictment, yet it was urged against Socrates by his prosecutors before the court, that he was disaffected to the democracy; and in proof, they affirmed it to be notorious that he had ridiculed what the Athenian constitution prescribed, the appointment to magistracy by lot. 'Thus,' they said, he taught his numerous followers, youths of the principal families of the city, to despise the established government, and to be turbulent and seditious; and his success had been seen in the conduct of two of the most eminent, Alcibiades these ill purposes: from the most esteemed poets, and and Critias. Even the best things he converted to his anti-democratical principles.' particularly from Homer, he selected passages to enforce

Socrates, it appears, indeed, was not inclined to deny his disapprobation of the Athenian constitution. His defence itself, as it is reported by Plato, contains matter on which to found an accusation against him of disaffection to the sovereignty of the people, such as, under the jealous tyranny of the Athenian democracy, would sometimes subject a man to the penalties of high treason. You well know,' he says, Athenians, that had I engaged in public business, I should long ago have perished without procuring any advantage either to you or to myself. Let not the truth offend you it is no peculiarity of your democracy, or of your national character; but wherever the people is sovereign, no man who shall dare honestly to oppose injustice-frequent and extravagant injustice-can avoid destruction.'

Without this proof, indeed, we might reasonably believe, that though Socrates was a good and faithful subject of the Athenian government, and would promote no sedition, no political violence, yet he could not like the Athenian constitution. He wished for wholesome changes by gentle means; and it seems even to have been a principal object of the labours to which he dedicated himself, to infuse principles into the rising generation that might bring about the desirable change insensibly.

Melitus, who stood forward as his principal accuser, was, as Plato informs us, noway a man of any great consideration. His legal description gives some probability to the conjecture, that his father was one of the commissioners sent to Lacedæmon from the moderate party, who opposed the ten successors of the thirty

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CYCLOPÆDIA OF

tyrants, while Thrasybulus held Piræus, and Pausanias
was encamped before Athens. He was a poet, and
stood forward as in a common cause of the poets, who
esteemed the doctrine of Socrates injurious to their
interest. Unsupported, his accusation would have been
little formidable; but he seems to have been a mere
He was soon joined by
instrument in the business.
Lycon, one of the most powerful speakers of his time.
Lycon was the avowed patron of the rhetoricians, who,
as well as the poets, thought their interest injured by
the moral philosopher's doctrine. I know not that on
any other occasion in Grecian history we have any
account of this kind of party-interest operating; but
from circumstances nearly analogous in our own country
-if we substitute for poets the clergy, and for rheto-
ricians the lawyers-we may gather what might be the
party-spirit, and what the weight of influence of the
rhetoricians and poets in Athens. With Lycon, Anytus,
a man scarcely second to any in the commonwealth
in rank and general estimation, who had held high
command with reputation in the Peloponnesian war,
and had been the principal associate of Thrasybulus in
the war against the thirty, and the restoration of the
democracy, declared himself a supporter of the prosecu-
tion. Nothing in the accusation could, by any known
law of Athens, affect the life of the accused. In Eng-
land, no man would be put upon trial on so vague a
charge-no grand jury would listen to it. But in
Athens, if the party was strong enough, it signified
little what was the law. When Lycon and Anytus
came forward, Socrates saw that his condemnation was
already decided.

By the course of his life, however, and by the turn of
his thoughts for many years, he had so prepared himself
for all events, that, far from alarmed at the probability
of his condemnation, he rather rejoiced at it, as at his
He was persuaded of the
age a fortunate occurrence.
soul's immortality, and of the superintending providence
of an all-good Deity, whose favour he had always been
assiduously endeavouring to deserve. Men fear death,
he said, as if unquestionably the greatest evil, and yet
no man knows that it may not be the greatest good.
If, indeed, great joys were in prospect, he might, and
his friends for him, with somewhat more reason, regret
the event; but at his years, and with his scanty fortune
-though he was happy enough at seventy still to pre-
serve both body and mind in vigour-yet even his
present gratifications must necessarily soon decay. To
avoid, therefore, the evils of age, pain, sickness, decay
of sight, decay of hearing, perhaps decay of understand
ing, by the easiest of deaths (for such the Athenian
mode of execution-by a draught of hemlock-was
reputed), cheered with the company of surrounding
friends, could not be otherwise than a blessing.

Xenophon says that, by condescending to a little supplication, Socrates might easily have obtained his acquittal. No admonition or entreaty of his friends, however, could persuade him to such an unworthiness. On the contrary, when put upon his defence, he told the people that he did not plead for his own sake, but for theirs, wishing them to avoid the guilt of an unjust condemnation. It was usual for accused persons to bewail their apprehended lot, with tears to supplicate favour, and, by exhibiting their children upon the bema, to endeavour to excite pity. He thought it, he said, more respectful to the court, as well as more becoming himself, to omit all this; however aware that their sentiments were likely so far to differ from his, that judgment would be given in anger for it.

It was usual at Athens for execution very soon to follow condemnation-commonly on the morrow; but it happened that the condemnation of Socrates took place on the eve of the day appointed for the sacred ceremony of crowning the galley which carried the annual offerings to the gods worshipped at Delos, and immemorial tradition forbade all executions till the sacred vessel's return. Thus, the death of Socrates was respited thirty days, while his friends had free access to him in the prison. During all that time he admirably supported his constancy. Means were concerted for his escape; the jailer was bribed, a vessel prepared, and a secure retreat in Thessaly provided. No arguments, no prayers, could persuade him to use the opportunity. He had always taught the duty of obedience to the laws, and he would not furnish an example of the breach of it. To no purpose it was urged that he had been unjustly condemned-he had always held that wrong did not justify wrong. He waited with perfect the immortality of the soul, the advantage of virtue, composure the return of the sacred vessel, reasoned on the happiness derived from having made it through life his pursuit, and with his friends about him, took the fatal cup and died.

Writers who, after Xenophon and Plato, have related the death of Socrates, seem to have held themselves bound to vie with those who preceded them in giving pathos to the story. The purpose here has been rather to render it intelligible-to shew its connection with the political history of Athens-to derive from it illustration of the political history. The magnanimity of Socrates, the principal efficient of the pathos, surely deserves adThe circumstances of Lord Russell's miration; yet it is not that in which he has most outshone other men. fate were far more trying. Socrates, we may reasonably suppose, would have borne Lord Russell's trial; but with Bishop Burnet for his eulogist, instead of Plato and Xenophon, he would not have had his present splendid fame. The singular merit of Socrates lay in the purity and the usefulness of his manners and conversation; the clearness with which he saw, and the steadiness with which he practised, in a blind and corrupt age, all moral duties; the disinterestedness and the zeal with which he devoted himself to the benefit of others; and the enlarged and warm benevolence, whence his supreme and almost only pleasure seems to have consisted in doing good. The purity of Christian morality, little enough, indeed, seen in practice, nevertheless is become so familiar in theory, that it passes almost for obvious, and even congenial to the human mind. Those only will justly estimate the merit of that near approach to it which Socrates made, who will take the pains to gather -as they may from the writings of his contemporaries and predecessors-how little conception was entertained of it before his time; how dull to a just moral sense the human mind has really been: how slow the progress in the investigation of moral duties, even where not only great pains have been taken, but the greatest abilities zealously employed; and when discovered, how diffi cult it has been to establish them by proofs beyond controversy, or proofs even that should be generally admitted by the reason of men. It is through the light which Socrates diffused by his doctrine, enforced by his and the practice exhibited to highest advantage in the practice, with the advantage of having both the doctrine incomparable writings of disciples such as Xenophon and Plato, that his life forms an era in the history of Athens and of man.

Condemnation pronounced wrought no change upon him. He again addressed the court, declared his inno- DR JOHN GILLIES-SHARON TURNER-WILLIAM cence of the matters laid against him, and observed that, even if every charge had been completely proved, still, all together did not, according to any known law, amount to a capital crime. But,' in conclusion he said, it is time to depart-I to die, you to live; but which for the greater good, God only knows.'

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COXE-GEORGE CHALMERS-C. J. FOX. While the first volume of Mitford's History was before the public, and experiencing that degree his work, DR JOHN GILLIES (1747–1836), who of favour which induced the author to continue

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