My publishers have asked me to introduce this third edition of the Shelley Memorials by a few words; and this the more that, issued at a considerable interval of time from the earlier editions, some expectation may be raised of new disclosures in regard to Shelley's Life. These might not unnaturally be looked for in a work pretending, however slightly, to a biographical character. The time, however, has not arrived at which it is desirable that facts already known to the poet's own family and a few private friends should be disclosed. Now, as when this book was first issued, we feel confident that the more is really known the more will all mists of false aspersion and misconception clear away from Shelley's memory; now, as then, we feel that we obey the wishes of the dead in keeping silence on all beyond what here is told. Until, therefore, the life can be written with the full vi PREFACE TO THE THIRD EDITION. sanction of the family-and this will hereafter be doneit seems best, in answer to a certain demand for it, to reissue the work, with one exception, as it appeared in 1859. That exception is the steel engraving which forms the frontispiece. It is taken from the original picture by Miss Curran, painted at Rome in 1818, now in Sir Percy Shelley's possession. BOSCOMBE MANOR: November 10, 1874. JANE SHELLEY. HAD it been left entirely to the uninfluenced wishes of Sir Percy Shelley and myself, we should have preferred that the publication of the materials for a life of Shelley which we possess should have been postponed to a later period of our lives; but, as we had recently noticed, both in French and English magazines, many papers on Shelley, all taking for their text Captain Medwin's Life of the Poet (a book full of errors), and as other biographies had been issued, written by those who had no means of ascertaining the truth, we were anxious that the numerous misstatements which had gone forth should be corrected. For this purpose, we placed the documents in our possession at the disposal of a gentleman whose literary habits and early knowledge of the poet seemed to point him out as the most fitting person for bringing them to the notice of the public. It was clearly understood, however, that our wishes and feelings should be consulted in all the details. We saw the book for the first time when it was given to the world. It was impossible to imagine beforehand that from such materials a book could have been produced which has astonished and shocked those who have the greatest right to form an opinion on the character of Shelley; and it was with the most painful feelings of dismay that we perused what we could only look upon as a fantastic caricature, going forth to the public with my apparent sanction,-for it was dedicated to myself. Our feelings of duty to the memory of Shelley left us no other alternative than to withdraw the materials which we had originally entrusted to his early friend, and which we could not but consider had been strangely misused; and to take upon ourselves the task of laying them before the public, connected only by as slight a thread of narrative as would suffice to make them intelgible to the reader. I have condensed as much as possible the details of the early period of Shelley's life, for I am aware that a great many of them have already appeared in print. The repetition of some, however, was considered advisable, since it is very probable that this volume will be read by many who have not seen, nor are likely to see, any other work giving an account of the writings and actions of Shelley. I little expected that this task would devolve on me, and I am fully sensible how unequal I am to its proper fulfilment. To give a truthful statement of long-dis |