The Fine Art of Reading: And Other Literary StudiesBobbs-Merrill, 1957 - 282 pagini Reflections on literature from Shakespeare to Conrad. |
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Pagina 30
... feel such an alteration to be an anticlimax . The ruth- less determination with which Shakespeare pursues his theme to its appalling close contributes essentially to the feeling of sublime exaltation with which the tragedy in- spires us ...
... feel such an alteration to be an anticlimax . The ruth- less determination with which Shakespeare pursues his theme to its appalling close contributes essentially to the feeling of sublime exaltation with which the tragedy in- spires us ...
Pagina 156
... feel , and with whose sorrows we do not sympa- thize . And on the other hand , it would have been easy to paint her in colours so glowing , that the reader was won over to her point of view , and ended up on the side of sensibility ...
... feel , and with whose sorrows we do not sympa- thize . And on the other hand , it would have been easy to paint her in colours so glowing , that the reader was won over to her point of view , and ended up on the side of sensibility ...
Pagina 171
... feel in some degree as you do who have not at least been given a taste for nature in early life . They lose a great deal . " " You taught me to think and feel on the subject , cousin . ' " " I had a very apt scholar . There's Arcturus ...
... feel in some degree as you do who have not at least been given a taste for nature in early life . They lose a great deal . " " You taught me to think and feel on the subject , cousin . ' " " I had a very apt scholar . There's Arcturus ...
Cuprins
Shakespearean Comedy | 37 |
The Tragedies of John Ford | 109 |
The Forms of English Fiction | 127 |
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A. E. Housman achieve action admire aesthetic artist Beatrice beauty Brontë Calantha characteristic characters Charlotte Brontë charm colour comic Conrad convention critics death delightful Dorothy Osborne drama elements Elizabethan Emily Brontë English essay experience expression exquisite eyes fact feel figures Ford Ford's Gentlemen of Verona harmony Hazlitt heart honour human humour ideal imagination individual intellectual Ithocles Jane Austen Jaques Lady light living Lord Jim Love's Labour's Lost lovers lyrical comedy Malvolio Mare Mare's Marianne Merchant of Venice Midsummer-Night's Dream mind mood moral nature never Nostromo novel novelists Orgilus passion Pater pattern picture play pleasure plot poetic poetry prose reader reality realize romantic Rosalind says scene Sense and Sensibility sentiment Shakespeare Shakespeare's comedies shows Shylock soul spirit story strains style taste theme things thought tion tone tragedy tragic true Twelfth Night Viola vision vivid whole words writer