Everybody's Shakespeare: Reflections Chiefly on the TragediesUniversity of Nebraska Press, 1993 - 279 pagini Everybody's Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays--Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra--and demonstrates in each case how the play has retained its vitality, complexity, and appeal. |
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Pagina 49
... appears to derive from contemporary work conditions as well . Twenty - three is the final year allotted to imma- turity in a variety of Elizabethan regulatory statutes , including the Stat- ute of Artificers ( established in 1563 ...
... appears to derive from contemporary work conditions as well . Twenty - three is the final year allotted to imma- turity in a variety of Elizabethan regulatory statutes , including the Stat- ute of Artificers ( established in 1563 ...
Pagina 138
... appears with torches . Iago urges Othello to withdraw , claiming it is " the raised father and his friends " ( 1.2.29 ) , and no doubt hoping that with- drawal will be taken as a sign of guilt . Othello remains composed : " Not I ; I ...
... appears with torches . Iago urges Othello to withdraw , claiming it is " the raised father and his friends " ( 1.2.29 ) , and no doubt hoping that with- drawal will be taken as a sign of guilt . Othello remains composed : " Not I ; I ...
Pagina 205
... appears some forty times in Antony and Cleopatra , more than twice as often as in any other of the major tragedies , and repeatedly in connection with Caesar , whose invisible " genius " it appears to be . Antony's own genius , the ...
... appears some forty times in Antony and Cleopatra , more than twice as often as in any other of the major tragedies , and repeatedly in connection with Caesar , whose invisible " genius " it appears to be . Antony's own genius , the ...
Cuprins
Audience and Play | 13 |
Play and History | 39 |
The Ambiguities of Romeo and Juliet | 69 |
Drept de autor | |
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies Maynard Mack Previzualizare limitată - 1993 |
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action already Antony appears audience become beginning believe bring Brutus Caesar character Cleopatra close comes course critics death Desdemona dream earlier effect Elizabethan engagement experience eyes face fact fall father feeling figure Fool give Hamlet hand hear heart hero human imagination instance Juliet killed kind King Lear language later least light lines lives look lovers Macbeth madness marriage matter meaning mind mother moves murder mystery nature never night once opening Othello passion perhaps person play play's possibly present question reason relation Romeo says scene seems seen sense Shake Shakespeare simply sort speaks speech stage stand story tells theater thee thing thou thought tion tragedy tragic true turn University voice whole woman young