As You Like It: Third SeriesBloomsbury Academic, 25 iul. 2006 - 472 pagini With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberre demonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania |
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Pagina 123
... possible that As You Like It also required some kind of authorization which was not immediately forthcoming . 1 Suggested by Gary Taylor , in Blayney , ' Playbooks ' , 417 , n . 6 ; see Erne , 102 . Alan Brissenden ( Oxf ' ) considers a ...
... possible that As You Like It also required some kind of authorization which was not immediately forthcoming . 1 Suggested by Gary Taylor , in Blayney , ' Playbooks ' , 417 , n . 6 ; see Erne , 102 . Alan Brissenden ( Oxf ' ) considers a ...
Pagina 249
... possible ? sayth , that there is hereof both Male and Female ' - and thus an appropriate bearer of verses addressed ... possible you don't know ? ' , or ' Is it possible that Orlando can be in the Forest ? ' The latter would fit Celia's ...
... possible ? sayth , that there is hereof both Male and Female ' - and thus an appropriate bearer of verses addressed ... possible you don't know ? ' , or ' Is it possible that Orlando can be in the Forest ? ' The latter would fit Celia's ...
Pagina 268
... possible performance at the Inns of Court ( ' Temples ' ) ; see p . 59 . horn - beasts deer , but Touchstone also aims his bolt at the possible ' cuck- olds ' in the audience ; cf. Oth 4.1.62-4 . 48-9 knows ... goods does not know the ...
... possible performance at the Inns of Court ( ' Temples ' ) ; see p . 59 . horn - beasts deer , but Touchstone also aims his bolt at the possible ' cuck- olds ' in the audience ; cf. Oth 4.1.62-4 . 48-9 knows ... goods does not know the ...
Cuprins
readers and painters | 113 |
Text | 120 |
All the worlds a stage | 140 |
Drept de autor | |
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actor Adam allowed Appendix audience Audrey bear brother called Cambridge Capell Celia character Charles comedy comes Corin court creates deer Douai Duke Senior Dusinberre early edition Elizabethan English Enter Epigrams epilogue Essex fall father figure followed fool Forest of Arden Fortune Frederick Ganymede give hand Harington hath heart Henry hunting Jaques John Jonson King ladies later letter live Lodge look Lord lover manuscript master means nature never notes Oliver Orlando pastoral performance Phoebe play players poetry political Pope possible present printed probably production queen reading reference Robert Robin Hood role Rosalind Rowe scene Shakespeare shepherd Silvius sing song speak speech stage suggests theatre thee Theobald Thomas thou tion Touchstone Touchstone's tradition tree true verse vols woman women young