The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 pagini |
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Pagina 6
... pause should succeed of percepti- ble length . To each word a pause should succeed , perceptibly longer than the former . A comma marks a pause the length of one syllable . A semicolon marks a pause the length of two syllables . A colon ...
... pause should succeed of percepti- ble length . To each word a pause should succeed , perceptibly longer than the former . A comma marks a pause the length of one syllable . A semicolon marks a pause the length of two syllables . A colon ...
Pagina 7
... pause , and cæsural pause . The final pause takes place at the end of a line or verse , in reading , when a syntax pause may be wanting , to mark the distinction between lines , to show when the line is ended , and to prevent its ...
... pause , and cæsural pause . The final pause takes place at the end of a line or verse , in reading , when a syntax pause may be wanting , to mark the distinction between lines , to show when the line is ended , and to prevent its ...
Pagina 12
... pause , exercise his pupils in the following , or a similar manner . Cite An iambic foot , decay . A trochaic foot , darkness . A spondee , A dactyle foot , harmony . An anapæst , high life . to the hills . An amphibrach , testator . An ...
... pause , exercise his pupils in the following , or a similar manner . Cite An iambic foot , decay . A trochaic foot , darkness . A spondee , A dactyle foot , harmony . An anapæst , high life . to the hills . An amphibrach , testator . An ...
Pagina 40
... pause , and when expression requires it , which seldom happens . The trochee , although of the same measure of the iambic , yet is seen to have a contrary movement ; and when used in the intermediate parts of a line , the harmony of 40 ...
... pause , and when expression requires it , which seldom happens . The trochee , although of the same measure of the iambic , yet is seen to have a contrary movement ; and when used in the intermediate parts of a line , the harmony of 40 ...
Pagina 75
... pause , which brings them equal in time and quantity , and makes a regular and harmonious correspondence . The foregoing may be sufficient to illustrate the principles of forming correspondencies ; and , by the foregoing examples , we ...
... pause , which brings them equal in time and quantity , and makes a regular and harmonious correspondence . The foregoing may be sufficient to illustrate the principles of forming correspondencies ; and , by the foregoing examples , we ...
Alte ediții - Afișează-le pe toate
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Vizualizare completă - 1847 |
The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Nu există previzualizare disponibilă - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Nu există previzualizare disponibilă - 2019 |
Termeni și expresii frecvente
accent and cadence adapted amphibrachic verse amphimac anapæstic verse ănd antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders couplet dactyle descriptive different kinds emphasis English prosody foot foregoing four feet metre genius grammar Greeks half spondee harmony hence iambic verse iambus irregular kinds of feet kinds of verse language long and short lyre lyric manner melody mode of scansion moloss monosyllable movement nature necessary numbers o'er observed in reading Orthoepy pertaining to verse Pindaric poem poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence regular order rhyme rules and precepts Sapphic Sappho SECT sentiment sheer iambic short quantity short syllables sometimes song sounds and pauses species stanza strophe style syntax pauses technical terms thě thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words