The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 pagini |
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Pagina 4
... former . Remarks . It is here observable that , as accent , emphasis , and tones , have each a distinct office , and mode of operation , it was necessary that each should be distinctly and separately defined . But seeing their offices ...
... former . Remarks . It is here observable that , as accent , emphasis , and tones , have each a distinct office , and mode of operation , it was necessary that each should be distinctly and separately defined . But seeing their offices ...
Pagina xiii
... former . Remarks . : It is here observable that , as accent , emphasis , and tones , have each a distinct office , and mode of operation , it was necessary that each should be distinctly and separately defined . But seeing their offices ...
... former . Remarks . : It is here observable that , as accent , emphasis , and tones , have each a distinct office , and mode of operation , it was necessary that each should be distinctly and separately defined . But seeing their offices ...
Pagina 6
... former . A comma marks a pause the length of one syllable . A semicolon marks a pause the length of two syllables . A colon marks a pause the length of three syllables . A period marks a pause the length of four syllables . The ...
... former . A comma marks a pause the length of one syllable . A semicolon marks a pause the length of two syllables . A colon marks a pause the length of three syllables . A period marks a pause the length of four syllables . The ...
Pagina 15
... former . Of the twelve kinds of feet above specified , five only are commonly used , in poetical compositions , each by themselves , unmixed with other kinds ; viz . iambic , tro- chaic , anapæstic , amphibrachic and dactyle ; and these ...
... former . Of the twelve kinds of feet above specified , five only are commonly used , in poetical compositions , each by themselves , unmixed with other kinds ; viz . iambic , tro- chaic , anapæstic , amphibrachic and dactyle ; and these ...
Pagina 17
... former , by having its initial syllable retrenched ; or , by having its first foot an iambic . This species has also three metres , of which the following are specimens . 2 feet . He felt as a man . 3 66 4 My right there is none to ...
... former , by having its initial syllable retrenched ; or , by having its first foot an iambic . This species has also three metres , of which the following are specimens . 2 feet . He felt as a man . 3 66 4 My right there is none to ...
Alte ediții - Afișează-le pe toate
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Vizualizare completă - 1847 |
The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Nu există previzualizare disponibilă - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Nu există previzualizare disponibilă - 2019 |
Termeni și expresii frecvente
accent and cadence adapted amphibrachic verse amphimac anapæstic verse ănd antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders couplet dactyle descriptive different kinds emphasis English prosody foot foregoing four feet metre genius grammar Greeks half spondee harmony hence iambic verse iambus irregular kinds of feet kinds of verse language long and short lyre lyric manner melody mode of scansion moloss monosyllable movement nature necessary numbers o'er observed in reading Orthoepy pertaining to verse Pindaric poem poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence regular order rhyme rules and precepts Sapphic Sappho SECT sentiment sheer iambic short quantity short syllables sometimes song sounds and pauses species stanza strophe style syntax pauses technical terms thě thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words