Musical Letters from Abroad:: Including Detailed Accounts of the Birmingham, Norwich, and Dusseldorf Musical Festivals of 1852Mason Brothers, 1854 - 312 pagini |
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Pagina 52
... soprano . There is also , every other Sabbath morning , a mot- ette by some of the great composers , performed with full orchestral accompaniments ; and for this the number of the choir is still increased . But as soon as the singing is ...
... soprano . There is also , every other Sabbath morning , a mot- ette by some of the great composers , performed with full orchestral accompaniments ; and for this the number of the choir is still increased . But as soon as the singing is ...
Pagina 82
... Soprano and Alto by boys . It was entirely without accompaniment . A grand Pianoforte in the room was only used to announce the pitch before each piece . This singing most difficult music without accompaniment is something wholly ...
... Soprano and Alto by boys . It was entirely without accompaniment . A grand Pianoforte in the room was only used to announce the pitch before each piece . This singing most difficult music without accompaniment is something wholly ...
Pagina 94
... Soprano Solo , Choir and Orchestra , by E. F. Richter . Such was the music of the school exhibition , and it was in all respects highly creditable to the institution . The students are from various parts of Germany and England ; and for ...
... Soprano Solo , Choir and Orchestra , by E. F. Richter . Such was the music of the school exhibition , and it was in all respects highly creditable to the institution . The students are from various parts of Germany and England ; and for ...
Pagina 112
... soprano of the boys , especially if it be above the twice marked small c , is so different in quality or character , that that close union by which many voices become one , is not attainable . In the English choirs there is indeed none ...
... soprano of the boys , especially if it be above the twice marked small c , is so different in quality or character , that that close union by which many voices become one , is not attainable . In the English choirs there is indeed none ...
Pagina 129
... Soprano and Alto parts were sustained by female voices . Consequently , there was a fulness , richness , and matu- rity of voice , and a blending in the chorus ; neither of which can be obtained in choirs where boys sing the Soprano ...
... Soprano and Alto parts were sustained by female voices . Consequently , there was a fulness , richness , and matu- rity of voice , and a blending in the chorus ; neither of which can be obtained in choirs where boys sing the Soprano ...
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Alte ediții - Afișează-le pe toate
Musical Letters from Abroad:: Including Detailed Accounts of the Birmingham ... Lowell Mason Vizualizare completă - 1854 |
Musical Letters from Abroad:: Including Detailed Accounts of the Birmingham ... Lowell Mason Vizualizare completă - 1854 |
Musical Letters from Abroad:: Including Detailed Accounts of the Birmingham ... Lowell Mason Vizualizare completă - 1854 |
Termeni și expresii frecvente
accompaniment alto America anthem ARIA artists attended audience Bach bass beautiful Beethoven BIRMINGHAM FESTIVAL brass instruments Castellan chanting choir chorale chorus church music Clara Schumann close commenced composer compositions concert conductor congregational singing Conservatory delight Donizetti double basses Dusseldorf effect Elijah excellent followed fugue German Gewandhaus grand Hall Handel harmony hear heard Herr Formes hour hymn instruments Jenny Lind Julius Rietz Leipzig LETTER Lockey Lord loud Madame Castellan Madame Clara Novello Madame Viardot Garcia Mendelssohn Messiah minister Miss Dolby morning Moscheles motette Mozart musician NORWICH FESTIVAL o'clock occasion opera oratorio orchestra organ organist ORLANDO DI LASSO overture perfect perhaps piano forte piece played prayer psalms quartet RECITATIVE Robert Schumann Sabbath Sacred Harmonic Society Samson sang seats seemed Signor Belletti Sims Reeves song Sontag soprano stanza style sung Symphony taste teacher things tones tune violins voices Weiss whole words worship