Rethinking the Novel/Film DebateCambridge University Press, 7 aug. 2003 - 302 pagini The relationship between books and film has been one of the key topics of cinema studies. Much of this criticism, however, has been inherited from eighteenth-century debates on poetry and painting and thus has fostered false and limiting paradigms in which words and pictures are opposed. Rethinking the Novel/ Film Debate historicizes and critiques the central paradigms of this debate. Testing theory against practice, and uncovering the hidden agendas, Kamilla Elliot creates new critical models that can be applied to the novel/ film issue in an effort to transform the field for future inquiry. |
Cuprins
2 | 31 |
The Victorian Pictorial Initial | 56 |
3 | 77 |
Cinematic NovelsLiterary Cinema | 113 |
Literary Cinema and the FormContent Debate | 133 |
Adaptation and Analogy | 184 |
Adaptation and Looking Glass Analogies | 209 |
Prefatory ConclusionsConcluding Prefaces | 241 |
| 277 | |
| 295 | |
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Termeni și expresii frecvente
Alice in Wonderland Amelia Becky Bluestone book illustration Brontë camera Carroll's categorical Cathy Cathy's century Chapter characters cinematic novel cited claim cognitive concept of adaptation critics cultural D. W. Griffith Dickens discourse dramatic dream early film editing Emily Brontë essay Fiction figurative film adaptation film language film words film's filmic filmmakers form and content George George Bluestone graphemes graphic Heathcliff incarnation interart analogies intertitles James Jan Švankmajer Kenneth Branagh letter linguistic literal literary cinema literary film adaptation literature London looking glass looking glass analogies metaphor Mock Turtle model of adaptation montage Movies narrative narrator nineteenth-century novel and film novelists objects Onimaru Osborne reading represent representation Review rhetoric scholars semiotic shot signified silent films spirit Švankmajer Švankmajer's symbolic Tess textual Thackeray Thackeray's pictorial initial theater theatrical theory tion University Press Vanity Fair verbal Victorian novel viewer vignette visual arts William Makepeace Thackeray's word and image writing Wuthering Heights