Cinematic Projections: The Analytical Psychology of C.G. Jung and Film TheoryIndiana University Press, 2001 - 216 pagini An introduction to the world of postJungian film studies, this book redresses the dominance of Freudian theories of cinema and guides individuals through the intricacies of Jungian thought. In so doing, it provides the basis on which to construct a contemporary theory of cinema. Drawing on research into detective films and the myths of detection, Hockley weaves together psychological analysis with textual interpretation. The resulting hypothesis suggests that watching films is an intensely personal experience in which viewers, according to individual needs and desires, project and identify with films and their characters. |
Cuprins
PART | 6 |
1 | 62 |
13 | 75 |
An Analysis of Trancers | 123 |
Chapter 9 | 139 |
Chapter 10 | 149 |
Chapter 12 | 169 |
Glossary | 177 |
Filmography | 199 |
209 | |
Alte ediții - Afișează-le pe toate
Cinematic Projections: The Analytical Psychology of C.G. Jung and Film Theory Luke Hockley Vizualizare fragmente - 2001 |
Termeni și expresii frecvente
accept analytical psychology Angel City anima animus archetypal patterns archetype's image aspects assimilation become behaviour Beryl Blade Runner Bloch C. G. Jung centre chapter characters Chinatown cinema collective collective unconscious concept consciousness contents contrasexual archetype cultural death Deckard detective films detective's Deth's dreams edition Editor ego-consciousness elements Eliade enantiodromia example experience expression extraverted fantasy femme fatale figure film noir film theory film's function Heraclitus hero Hillman human idea illusion imagery important individuation process inner introverted intuition Jack Deth Jung notes Jung's Jungian labyrinth Leena London magical mandala maze means metaphor murder myth themes mythologem mythological narrative objective psyche opposites perspective Peter Hyams Post-Jungians Principal Cast projection prostitutes psychic psychoanalysis psychological qualities quest rebirth recognise relationship replicants represents role Samuels Screenplay sexual shadow soul spirit structure suggests symbolises symbols Tindel Trancers Translated unconscious understand underworld viewer Whistler Whitmont York
Referințe la această carte
Post-Jungian Criticism: Theory and Practice James S. Baumlin,Tita French Baumlin,George H. Jensen Previzualizare limitată - 2004 |