The History of English Soliloquy: Aeschylus to ShakespeareUniversity Press of America, 1985 - 139 pagini Provides a thorough survey of the history of the soliloquy, from the earliest forms found on pre-Biblical Canaanite tablets through the heights of Shakespeare. Shows how Elizabethan soliloquy evolved out of its ancient forerunners, and that Shakespeare dominates soliloquy. Of particular interest to students and scholars of language, drama and Shakespeare. |
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Pagina 5
... means to mighty ends . Such is the offence for which I pay the penalty , riveted in fetters beneath the open sky . Ha ! Hold ! What murmur , what scent wingeth to me , its source invisible , heavenly or human , or blent of both ? Hath ...
... means to mighty ends . Such is the offence for which I pay the penalty , riveted in fetters beneath the open sky . Ha ! Hold ! What murmur , what scent wingeth to me , its source invisible , heavenly or human , or blent of both ? Hath ...
Pagina 81
... means for every man alive " certainly advertise this speech of Parolles as Grand Homily : taken at face value , here is an assurance that for every man alive , even for shameful brag- garts , there is proper place and means for survival ...
... means for every man alive " certainly advertise this speech of Parolles as Grand Homily : taken at face value , here is an assurance that for every man alive , even for shameful brag- garts , there is proper place and means for survival ...
Pagina 88
... mean to learn , For it shall strew the footsteps of my rising . - ( I.i.182-216 ) In the first twenty - three lines , Faulconbridge describes through the acer- bity of mock dialogue that political guile ( “ dialogue of compliment ” ) at ...
... mean to learn , For it shall strew the footsteps of my rising . - ( I.i.182-216 ) In the first twenty - three lines , Faulconbridge describes through the acer- bity of mock dialogue that political guile ( “ dialogue of compliment ” ) at ...
Cuprins
The Mysteries | 25 |
Morality Drama | 45 |
Shakespearean Structures and Language | 99 |
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The History of English Soliloquy: Aeschylus to Shakespeare Lloyd A. Skiffington Vizualizare fragmente - 1985 |
Termeni și expresii frecvente
Aaron action Aeschylus allegorical alliteration apostrophe audience Belial Caliban's century chapter character choragos chorus cited classical Clemen comedy comic conscience Counterfeit Countenance crown death declamation devils diction doth earlier early morality Elizabethan English soliloquy Envy Euripides evil example exemplifies fiend figurative Gobbo Grand Homily Greek Hamlet hath Heaven Henry Henry VI homiletic honor Iago iloquy imagery intermediate and late Jasper Heywood Juliet Juventus King lament language late moralities later Launcelot lines live London Lord Macbeth Magnificence medieval soliloquy metaphor Mini-homily monologue Morality Plays morality soliloquy mystery soliloquy opening personae Plautus plot exposition plot-action primitive prologue psychomachia rhetorical Richard Richard III role-action Roman Romeo Satan says scene Second Shepherds Seneca sermon Seven Against Thebes Shakespeare Shakespearean soliloquy sophistication Sophocles speaker speaks stage structural theatre thee Thespis thou Thyestes tion tone Tragedy types utterance vaunt Vice villain word-play words York yower
Referințe la această carte
Adapting to the Stage: Theatre and the Work of Henry James Christopher Greenwood Vizualizare fragmente - 2000 |