The History of English Soliloquy: Aeschylus to ShakespeareUniversity Press of America, 1985 - 139 pagini Provides a thorough survey of the history of the soliloquy, from the earliest forms found on pre-Biblical Canaanite tablets through the heights of Shakespeare. Shows how Elizabethan soliloquy evolved out of its ancient forerunners, and that Shakespeare dominates soliloquy. Of particular interest to students and scholars of language, drama and Shakespeare. |
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Pagina 66
... fear their faith : I'll trust myself , myself shall be my friend ; For die they shall , Slaves are ordained to no other end . 27 This is both " self - addressed " homily and role - action exposition , homily in Lorenzo's opening ...
... fear their faith : I'll trust myself , myself shall be my friend ; For die they shall , Slaves are ordained to no other end . 27 This is both " self - addressed " homily and role - action exposition , homily in Lorenzo's opening ...
Pagina 103
... fear thy overthrow More than my body's parting with my soul ! My love and fear glued many friends to thee , And , now I fall , thy tough commixture melts . Impairing Henry , strengthening misproud York , The common people swarm like ...
... fear thy overthrow More than my body's parting with my soul ! My love and fear glued many friends to thee , And , now I fall , thy tough commixture melts . Impairing Henry , strengthening misproud York , The common people swarm like ...
Pagina 111
... fear , Caliban's fear of being overheard , his fear of constant , invisible visitation by the omnipotent spirits of Prospero . “ Fright , ” “ set upon me , ” “ bite me , ' “ hiss , ” all are terms of fearsome condition , of the ...
... fear , Caliban's fear of being overheard , his fear of constant , invisible visitation by the omnipotent spirits of Prospero . “ Fright , ” “ set upon me , ” “ bite me , ' “ hiss , ” all are terms of fearsome condition , of the ...
Cuprins
The Mysteries | 25 |
Morality Drama | 45 |
Shakespearean Structures and Language | 99 |
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The History of English Soliloquy: Aeschylus to Shakespeare Lloyd A. Skiffington Vizualizare fragmente - 1985 |
Termeni și expresii frecvente
Aaron action Aeschylus allegorical alliteration apostrophe audience Belial Caliban's century chapter character choragos chorus cited classical Clemen comedy comic conscience Counterfeit Countenance crown death declamation devils diction doth earlier early morality Elizabethan English soliloquy Envy Euripides evil example exemplifies fiend figurative Gobbo Grand Homily Greek Hamlet hath Heaven Henry Henry VI homiletic honor Iago iloquy imagery intermediate and late Jasper Heywood Juliet Juventus King lament language late moralities later Launcelot lines live London Lord Macbeth Magnificence medieval soliloquy metaphor Mini-homily monologue Morality Plays morality soliloquy mystery soliloquy opening personae Plautus plot exposition plot-action primitive prologue psychomachia rhetorical Richard Richard III role-action Roman Romeo Satan says scene Second Shepherds Seneca sermon Seven Against Thebes Shakespeare Shakespearean soliloquy sophistication Sophocles speaker speaks stage structural theatre thee Thespis thou Thyestes tion tone Tragedy types utterance vaunt Vice villain word-play words York yower
Referințe la această carte
Adapting to the Stage: Theatre and the Work of Henry James Christopher Greenwood Vizualizare fragmente - 2000 |