The Art of Elocution, Or, Logical and Musical Reading and Declamation: With an Appendix, Containing a Copious Practice in Oratorical, Poetical, and Dramatic Reading and Recitation ; the Whole Forming a Complete Speaker, Well Adapted to Private Pupils, Classes, and the Use of SchoolsSpalding & Shepard, 1851 - 383 pagini |
Din interiorul cărții
Rezultatele 1 - 5 din 29
Pagina 35
... close of its sound . The term monothongal is used in contradistinction to MIXED OR DIPHTHONGAL TONICS , which are Ai - 1 , * I - sle , Ou - r , Oi - 1 , U - nion . The above two lists of pure and mixed tonics contain all the tonic ...
... close of its sound . The term monothongal is used in contradistinction to MIXED OR DIPHTHONGAL TONICS , which are Ai - 1 , * I - sle , Ou - r , Oi - 1 , U - nion . The above two lists of pure and mixed tonics contain all the tonic ...
Pagina 36
... close or vanish ; thus , the sound of the name of the letter u , ( as heard in the word u - nion , ) is compounded of the e in e - ve and 8 6 6 8 the o in d - o : that is , its radical ( or root ) is e , its vanish is o , making eo , or ...
... close or vanish ; thus , the sound of the name of the letter u , ( as heard in the word u - nion , ) is compounded of the e in e - ve and 8 6 6 8 the o in d - o : that is , its radical ( or root ) is e , its vanish is o , making eo , or ...
Pagina 38
... close of the sound . But this combination ( a e ) would produce the diphthongal sound oi , as in voice ; which is , in fact , a provincial pronuncia- tion of the diphthongal sound of ï ( in such words as find , mind , & c . ) prevalent ...
... close of the sound . But this combination ( a e ) would produce the diphthongal sound oi , as in voice ; which is , in fact , a provincial pronuncia- tion of the diphthongal sound of ï ( in such words as find , mind , & c . ) prevalent ...
Pagina 68
... close of a proposition . The full - stop , which is used in grammatical punc- tuation to mark the close of a sentence or period , is not a sufficiently distinct guide ; for it frequently closes a sentence which is intimately allied , by ...
... close of a proposition . The full - stop , which is used in grammatical punc- tuation to mark the close of a sentence or period , is not a sufficiently distinct guide ; for it frequently closes a sentence which is intimately allied , by ...
Pagina 69
... close of a sentence , should be rejected in reading ; the middle pause should be used in its stead ; and the rest or full pause should not be introduced till the actual winding up of all the sentences which have a close relation to each ...
... close of a sentence , should be rejected in reading ; the middle pause should be used in its stead ; and the rest or full pause should not be introduced till the actual winding up of all the sentences which have a close relation to each ...
Cuprins
32 | |
50 | |
51 | |
71 | |
75 | |
79 | |
85 | |
93 | |
99 | |
100 | |
105 | |
112 | |
145 | |
148 | |
151 | |
154 | |
164 | |
168 | |
169 | |
207 | |
208 | |
288 | |
294 | |
300 | |
307 | |
315 | |
322 | |
328 | |
336 | |
344 | |
345 | |
364 | |
373 | |
377 | |
Alte ediții - Afișează-le pe toate
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Vizualizare completă - 1847 |
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Vizualizare completă - 1847 |
The Art of Elocution; Or Logical and Musical Reading and Declamation: With ... George Vandenhoff Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
accelerando accented Adrastus antithesis arms beauty blood breath brow Brutus burst Cæsar called Cassius cataphracts character Christian compound inflections dark death deep delivery diphthongal doth ducats earth Elocution emphasis of force emphasis of sense EXAMPLES exercise expression eyes falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heart heaven high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord maestoso marked MEDON melody mercy middle pitch mind nature Netherby never night o'er parenthesis passage passion pause phatic pity presto pronominal phrase prose prosodial prosodians reading rest rhythm rising inflection Roche rule sentence Shaks Shylock sight solemn soul sound speak speaker speech spirit staccato style sweet swell syllables tears thee thought tion tone tonic utterance Venice verse waves weep word