The Art of Elocution, Or, Logical and Musical Reading and Declamation: With an Appendix, Containing a Copious Practice in Oratorical, Poetical, and Dramatic Reading and Recitation ; the Whole Forming a Complete Speaker, Well Adapted to Private Pupils, Classes, and the Use of SchoolsSpalding & Shepard, 1851 - 383 pagini |
Din interiorul cărții
Rezultatele 1 - 5 din 32
Pagina 13
... bears down every obstacle ; his friends he animates with his enthusiasm , he lashes his opponents with his satire , -he withers them with his scorn , he crush- es , he annihilates them with his terrible , his resistless pow- er . And ...
... bears down every obstacle ; his friends he animates with his enthusiasm , he lashes his opponents with his satire , -he withers them with his scorn , he crush- es , he annihilates them with his terrible , his resistless pow- er . And ...
Pagina 24
... bear their testimony , though unconsciously , and often unwillingly , to the preferableness of systematic knowledge to conjectural judgments . " Now , could any one have furnished a clearer , more lo- gical , or more satisfying answer ...
... bear their testimony , though unconsciously , and often unwillingly , to the preferableness of systematic knowledge to conjectural judgments . " Now , could any one have furnished a clearer , more lo- gical , or more satisfying answer ...
Pagina 35
... bear the impu- tation of any errors which may appear in my arrangement or definition of those elementary sounds , or of their power and value in speech . mencing sound , being different from that which is heard DIPHTHONGAL SOUNDS . 35.
... bear the impu- tation of any errors which may appear in my arrangement or definition of those elementary sounds , or of their power and value in speech . mencing sound , being different from that which is heard DIPHTHONGAL SOUNDS . 35.
Pagina 50
... first to get the correct tonic sound of the vowel , as given in the key- word , and bear in mind that articulation of a sound does not imply accentuation of the syllable ; that is 50 ART OF ELOCUTION . INTRODUCTION to.
... first to get the correct tonic sound of the vowel , as given in the key- word , and bear in mind that articulation of a sound does not imply accentuation of the syllable ; that is 50 ART OF ELOCUTION . INTRODUCTION to.
Pagina 68
... bear out , —as will be presently shown . 3. THE REST , or FULL PAUSE Marks the perfection of the sense , that is , the cli- max of its force ; as , the close of a proposition . The full - stop , which is used in grammatical punc ...
... bear out , —as will be presently shown . 3. THE REST , or FULL PAUSE Marks the perfection of the sense , that is , the cli- max of its force ; as , the close of a proposition . The full - stop , which is used in grammatical punc ...
Cuprins
32 | |
50 | |
51 | |
71 | |
75 | |
79 | |
85 | |
93 | |
99 | |
100 | |
105 | |
112 | |
145 | |
148 | |
151 | |
154 | |
164 | |
168 | |
169 | |
207 | |
208 | |
288 | |
294 | |
300 | |
307 | |
315 | |
322 | |
328 | |
336 | |
344 | |
345 | |
364 | |
373 | |
377 | |
Alte ediții - Afișează-le pe toate
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Vizualizare completă - 1847 |
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Vizualizare completă - 1847 |
The Art of Elocution; Or Logical and Musical Reading and Declamation: With ... George Vandenhoff Nu există previzualizare disponibilă - 2018 |
Termeni și expresii frecvente
accelerando accented Adrastus antithesis arms beauty blood breath brow Brutus burst Cæsar called Cassius cataphracts character Christian compound inflections dark death deep delivery diphthongal doth ducats earth Elocution emphasis of force emphasis of sense EXAMPLES exercise expression eyes falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heart heaven high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord maestoso marked MEDON melody mercy middle pitch mind nature Netherby never night o'er parenthesis passage passion pause phatic pity presto pronominal phrase prose prosodial prosodians reading rest rhythm rising inflection Roche rule sentence Shaks Shylock sight solemn soul sound speak speaker speech spirit staccato style sweet swell syllables tears thee thought tion tone tonic utterance Venice verse waves weep word