Postmodern Fairy Tales: Gender and Narrative StrategiesUniversity of Pennsylvania Press, 1997 - 208 pagini Postmodern Fairy Tales seeks to understand the fairy tale not as children's literature but within the broader context of folklore and literary studies. It focuses on the narrative strategies through which women are portrayed in four classic stories: "Snow White," "Little Red Riding Hood," "Beauty and the Beast," and "Bluebeard." Bacchilega traces the oral sources of each tale, offers a provocative interpretation of contemporary versions by Angela Carter, Robert Coover, Donald Barthelme, Margaret Atwood, and Tanith Lee, and explores the ways in which the tales are transformed in film, television, and musicals. |
Cuprins
PERFORMING WONDERS POSTMODERN REVISIONS OF FAIRY TALES | 1 |
THE FRAMING OF SNOW WHITE NARRATIVE AND GENDER REPRODUCTION | 27 |
NOT READ ONCE AND FOR ALL LITTLE RED RIDING HOODS VOICES IN PERFORMANCE | 49 |
IN THE EYE OF THE BEHOLDER WHERE IS BEAST? | 71 |
BE BOLD BE BOLD BUT NOT TOO BOLD DOUBLE AGENTS AND BLUEBEARDS PLOT | 103 |
PEOPLING THE BLOODY CHAMBERS ONCE UPON MANY TIMES AND ONCE UPON ONETIME | 139 |
NOTES | 147 |
| 191 | |
| 205 | |
Alte ediții - Afișează-le pe toate
Postmodern Fairy Tales: Gender and Narrative Strategies Cristina Bacchilega Previzualizare limitată - 2010 |
Postmodern Fairy Tales: Gender and Narrative Strategies Cristina Bacchilega Nu există previzualizare disponibilă - 1997 |
Termeni și expresii frecvente
Ada's Angela Carter's Atwood's Baines beard Beast Beauty Beauty's Bloody Chamber Bluebeard Bluebeard's Egg body Brothers Grimm Catherine's child Cixous classic fairy Company of Wolves contes context critical cultural Cupid and Psyche curiosity death desire doubling dwarves exposes eyes fairy tale fairy-tale father female feminist Fichter's Bird fiction flesh focalization folklore and literature folklorists Folktales forbidden chamber frame gender genre girl girl's grandmother's Grimms heroine heroine's human husband ideological initiation intertextual Jack Zipes literary Little Red Riding look Marina Warner marriage marries mother motif movie narrative narratology narrator natural norms Opie oral patriarchal performance Perrault's piano plot postmodern postmodern fairy prince protagonist queen reading Red Riding Hood relationship retellings revisions Robber Bridegroom Sally semiotic sexual simply sisters Snow White social specific storytelling strategy symbolic tale's tell Tiger's Bride tion tive tradition transformation versions victim Vincent voice werewolf wolf wolves woman women young Zipes