The Search for Good Sense: Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith |
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Pagina 79
When you talk of them , it is plain that you want either praise or pity ; for praise there is no room , and pity will do you no good . ' Johnson suffered ; but , as a rule , in silence . As with his melancholia , so with his other ...
When you talk of them , it is plain that you want either praise or pity ; for praise there is no room , and pity will do you no good . ' Johnson suffered ; but , as a rule , in silence . As with his melancholia , so with his other ...
Pagina 87
For whenever there is ex- aggerated praise , every body is set against a character . They are roused to attack it . ... You praised that man with such disproportion that I was incited to lessen him perhaps more than he deserves .
For whenever there is ex- aggerated praise , every body is set against a character . They are roused to attack it . ... You praised that man with such disproportion that I was incited to lessen him perhaps more than he deserves .
Pagina 301
However that be , " cried I , " the most vulgar ballad of them all generally pleases me better than the fine modern odes , 1 and things that petrify us in a single stanza ; productions that we at once detest and praise .
However that be , " cried I , " the most vulgar ballad of them all generally pleases me better than the fine modern odes , 1 and things that petrify us in a single stanza ; productions that we at once detest and praise .
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Alte ediții - Afișează-le pe toate
The Search for Good Sense: Four Eighteenth-century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1958 |
The Search for Good Sense: Four Eighteenth-century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1958 |
The Search for Good Sense: Four Eighteenth Century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1961 |
Termeni și expresii frecvente
admirable already appears asked become believe Boswell Boswell's brought called century character Chesterfield comes common conversation course criticism curious dead deal death doubt eighteenth-century English example father feel felt followed French give Goldsmith Graces hand happy heart hope human ideas imagine interesting Italy John Johnson Journal kind lady largely later least less letter living London Lord March married matter means mind Miss nature never notes once passion perhaps person play poet poetry political poor praise reason recorded remains remarkable remember Rousseau seems sense side sometimes strange style success suppose surely talk Temple things thought Thrale told true truth turn whole wife wish woman wonder write written wrote young Zélide