The Search for Good Sense: Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith |
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Pagina 315
Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith Frank Laurence Lucas. that , even for themes less exalted than Paradise Lost , blank verse has powers that Goldsmith and Johnson little guessed .
Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith Frank Laurence Lucas. that , even for themes less exalted than Paradise Lost , blank verse has powers that Goldsmith and Johnson little guessed .
Pagina 318
Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith Frank Laurence Lucas. And yet even here it is perhaps typical , that Goldsmith stays wist- fully piping , but Sterne frisks gaily into the dance himself ...
Four Eighteenth-century Characters: Johnson, Chesterfield, Boswell [and] Goldsmith Frank Laurence Lucas. And yet even here it is perhaps typical , that Goldsmith stays wist- fully piping , but Sterne frisks gaily into the dance himself ...
Pagina 320
Many another writer , of course , has delighted in animal imagery -Goldsmith's formidable friend Johnson , for one . But , char- acteristically , Goldsmith's animals are more creatures of sympathy than Johnson's ' stately horse ' ...
Many another writer , of course , has delighted in animal imagery -Goldsmith's formidable friend Johnson , for one . But , char- acteristically , Goldsmith's animals are more creatures of sympathy than Johnson's ' stately horse ' ...
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The Search for Good Sense: Four Eighteenth-century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1958 |
The Search for Good Sense: Four Eighteenth-century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1958 |
The Search for Good Sense: Four Eighteenth Century Characters: Johnson ... Frank Laurence Lucas Vizualizare fragmente - 1961 |
Termeni și expresii frecvente
admirable already appears asked become believe Boswell Boswell's brought called century character Chesterfield comes common conversation course criticism curious dead deal death doubt eighteenth-century English example father feel felt followed French give Goldsmith Graces hand happy heart hope human ideas imagine interesting Italy John Johnson Journal kind lady largely later least less letter living London Lord March married matter means mind Miss nature never notes once passion perhaps person play poet poetry political poor praise reason recorded remains remarkable remember Rousseau seems sense side sometimes strange style success suppose surely talk Temple things thought Thrale told true truth turn whole wife wish woman wonder write written wrote young Zélide