Visual Shakespeare: Essays in Film and TelevisionUniversity of Hertfordshire Press, 2002 - 198 pagini This definitive collection of Graham Holderness's writings on Shakespeare in film and television is a unique resource for the study of Shakespeare in the media. The fact that film and television versions of Shakespeare are now accepted as a standard element of Shakespeare studies is due in no small part to the work collected in this volume. It covers Shakespeare in television and film through case studies of Henry V, Taming of the Shrew, and Romeo and Juliet. |
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Pagina 81
... performance , individuality is minimalised by neutral unifor- mity of costume , mask - like face - painting and the ... performance to screen . Interacting with the avant - garde techniques of performance employed in the production are a ...
... performance , individuality is minimalised by neutral unifor- mity of costume , mask - like face - painting and the ... performance to screen . Interacting with the avant - garde techniques of performance employed in the production are a ...
Pagina 82
... performance . Aligned with the received play - text , it can broach a number of con- tentious issues relating to the passage of text into performance : the sacrosanctity of text , the limits of adaptation , the relative autonomy of ...
... performance . Aligned with the received play - text , it can broach a number of con- tentious issues relating to the passage of text into performance : the sacrosanctity of text , the limits of adaptation , the relative autonomy of ...
Pagina 125
... performance ' through analysis , dis- cussion , interpretative experiment , improvisation and rehearsal , may be very similar in each case . Yet although in a film a play is being enacted by living performers , that concrete human ...
... performance ' through analysis , dis- cussion , interpretative experiment , improvisation and rehearsal , may be very similar in each case . Yet although in a film a play is being enacted by living performers , that concrete human ...
Cuprins
2 | 22 |
Shakespeare Rescheduled 1998 | 32 |
Shakespeare and Cinema 1985 1991 | 51 |
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Termeni și expresii frecvente
action actors adaptation aesthetic Akira Kurosawa audience BBC/Time-Life broadcast Cambridge camera Capulet Cedric Messina character Chorus cinema contemporary context conventions criticism cultural death director discourse drama dramatised edition Elizabethan stage Elizabethan theatre England English epic fantasy feud film version film's filmic Hamlet Henry Henry VI ideological interpretation John Jonathan Miller Jorgens king Kurosawa literary literature London lovers Macbeth Manchester medium Michael Bogdanov Midsummer Night's Dream musical narrative naturalistic nature Olivier performance perspective Peter Brook Petruchio pictorial play-text play's political popular potential production programme radical Radio realism reality recognised reconstruction Reinhardt's Renaissance Richard Richard II Romeo and Juliet scene screen sequence Shakespeare films Shakespeare on Film Shakespeare text Shakespeare's History Plays Shakespeare's play Shrew social society spectator story structure techniques tetralogy theatrical Throne of Blood Tillyard tion tradition Tybalt University Press visual West Side Story Wilson Knight Zeffirelli
Referințe la această carte
A Concise Companion to Shakespeare on Screen Diana E. Henderson Nu există previzualizare disponibilă - 2006 |