Visual Shakespeare: Essays in Film and TelevisionUniversity of Hertfordshire Press, 2002 - 198 pagini This definitive collection of Graham Holderness's writings on Shakespeare in film and television is a unique resource for the study of Shakespeare in the media. The fact that film and television versions of Shakespeare are now accepted as a standard element of Shakespeare studies is due in no small part to the work collected in this volume. It covers Shakespeare in television and film through case studies of Henry V, Taming of the Shrew, and Romeo and Juliet. |
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Pagina 74
... filmic language such as film narra- tive and editing . For textual bibliography , the ' plays ' traditionally stabilised in idealised compilation texts are splitting apart into variant and equally valid textualisations . What would be ...
... filmic language such as film narra- tive and editing . For textual bibliography , the ' plays ' traditionally stabilised in idealised compilation texts are splitting apart into variant and equally valid textualisations . What would be ...
Pagina 82
... filmic representation itself . It was clearly part of the producers ' intentions that the project should be something more than metadrama : that it should accomplish a strategic cultural intervention , should do more than foreground its ...
... filmic representation itself . It was clearly part of the producers ' intentions that the project should be something more than metadrama : that it should accomplish a strategic cultural intervention , should do more than foreground its ...
Pagina 177
... filmic ' scene ' is followed by the Act and scene division of Shakespeare's text . Most of the filmic ' scenes ' have no corresponding Act and scene division , since they have no exact counterpart in Shakespeare's text . 22. ( 4.3 ) ...
... filmic ' scene ' is followed by the Act and scene division of Shakespeare's text . Most of the filmic ' scenes ' have no corresponding Act and scene division , since they have no exact counterpart in Shakespeare's text . 22. ( 4.3 ) ...
Cuprins
2 | 22 |
Shakespeare Rescheduled 1998 | 32 |
Shakespeare and Cinema 1985 1991 | 51 |
Drept de autor | |
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Termeni și expresii frecvente
action actors adaptation aesthetic Akira Kurosawa audience BBC/Time-Life broadcast Cambridge camera Capulet Cedric Messina character Chorus cinema contemporary context conventions criticism cultural death director discourse drama dramatised edition Elizabethan stage Elizabethan theatre England English epic fantasy feud film version film's filmic Hamlet Henry Henry VI ideological interpretation John Jonathan Miller Jorgens king Kurosawa literary literature London lovers Macbeth Manchester medium Michael Bogdanov Midsummer Night's Dream musical narrative naturalistic nature Olivier performance perspective Peter Brook Petruchio pictorial play-text play's political popular potential production programme radical Radio realism reality recognised reconstruction Reinhardt's Renaissance Richard Richard II Romeo and Juliet scene screen sequence Shakespeare films Shakespeare on Film Shakespeare text Shakespeare's History Plays Shakespeare's play Shrew social society spectator story structure techniques tetralogy theatrical Throne of Blood Tillyard tion tradition Tybalt University Press visual West Side Story Wilson Knight Zeffirelli
Referințe la această carte
A Concise Companion to Shakespeare on Screen Diana E. Henderson Nu există previzualizare disponibilă - 2006 |