The Uncreated Light: An Iconographical Study of the Transfiguration in the Eastern ChurchDistinguished religious artist Solrunn Nes in this volume explores the beauty and truth found in icons of Christ's transfiguration. As Nes observes in her introduction, the transfiguration of Jesus Christ is an especially rich subject in the abundant iconographical tradition of the Eastern Church. In weaving together iconographical representations and theological interpretation, The Uncreated Light is itself a beautiful exploration of this subject. Structured according to the biblical account of Christ's transfiguration, the book is divided into three main parts. The first, corresponding with the ascent up the mountain, presents the iconographical theme in four representative works of previous centuries. The second section focuses on the "vision of light" and considers the Orthodox interpretation of the event based on a selection of art and texts. The third and final section parallels the descent back down the mountain; here Nes goes back to the icons themselves, interpreting them anew in light of the insights gained under the "vision of light." Including full-color plates of the icons discussed and a lengthy appendix, The Uncreated Light is a testament to the author's own artistic grace and to her deep understanding of iconographical art as an expression of faith. |
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Cuprins
Byzantine Monumental Mosaic Ravenna 549 | 12 |
Ottonian Manuscript Illumination Eleventh Century | 24 |
Russian Transfiguration Icon 1403 | 32 |
THE VISION OF LIGHT | 41 |
The Transfiguration with Reference to the Mosaics | 56 |
The Transfiguration with Reference to the Mosaic | 74 |
THE DESCENT | 113 |
summary | 129 |
bibliography | 183 |
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Termeni și expresii frecvente
according angels Apollinaris apostles appears apse arch Ascent beauty becomes bishop body bush Byzantine called central century changes Christ Church cloud colours comes contemplative created cross darkness deification desire disciples divine effect Elijah emphasizes energies entire essence experience expression eyes face Father figures fire flesh gives glory God’s grace Greek Gregory hand heaven holy human icon iconographical illumination Incarnation interpretation Jesus John knowledge lamb light liturgical look Lord material matter means medallion mentioned mind monastery monk mosaic Moses motif mountain mystical nature ofthe painting person Peter pictorial picture prayer present prophets Ravenna receive refers reflects represented revealed Saint says scene seen sense shining shone shows Sinai soul speak spiritual stands symbol Tabor texts theological things thou thought tion transcends Transfiguration transformed true uncreated understanding virtue visible vision voice