The Five Senses of ManHenry S. King & Company, 1876 - 304 pagini |
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Pagina ii
... Nature , Influences , Uses , & c . By M. C. COOKE , M.A. , LL.D. Edited by the Rev. M. J. BERKELEY , M.A. , F.L.S. With Illustrations . Second Edition . Crown 8vo . 5s . XV . The CHEMICAL EFFECTS of LIGHT and PHOTO- GRAPHY in their ...
... Nature , Influences , Uses , & c . By M. C. COOKE , M.A. , LL.D. Edited by the Rev. M. J. BERKELEY , M.A. , F.L.S. With Illustrations . Second Edition . Crown 8vo . 5s . XV . The CHEMICAL EFFECTS of LIGHT and PHOTO- GRAPHY in their ...
Pagina 9
... nature . The sensations of the senses , therefore , appear to be of a higher kind than the common sensations . The general sensibility of the body is , indeed , the general ground from which the sensations of the senses also spring ...
... nature . The sensations of the senses , therefore , appear to be of a higher kind than the common sensations . The general sensibility of the body is , indeed , the general ground from which the sensations of the senses also spring ...
Pagina 11
... nature by some kind of impression upon our skin , whilst a great part of the objects and occurrences in nature would re- main a secret to us . By handling a body we could learn its shape and form just as thoroughly as by the eye ...
... nature by some kind of impression upon our skin , whilst a great part of the objects and occurrences in nature would re- main a secret to us . By handling a body we could learn its shape and form just as thoroughly as by the eye ...
Pagina 12
Julius Bernstein. we could learn much more about the nature of objects than their mere form . With the aid of our organ of motion we can judge of the weight of a body , by estimat- ing the amount of force which we have to use in order to ...
Julius Bernstein. we could learn much more about the nature of objects than their mere form . With the aid of our organ of motion we can judge of the weight of a body , by estimat- ing the amount of force which we have to use in order to ...
Pagina 14
... nature of external objects . At most we can distinguish whether the pain felt by the skin is produced by a burn , or by the corrosion of acids , or by a sharp instrument ; but this takes place only with the aid of the accompanying ...
... nature of external objects . At most we can distinguish whether the pain felt by the skin is produced by a burn , or by the corrosion of acids , or by a sharp instrument ; but this takes place only with the aid of the accompanying ...
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action apparatus appear auditory canal auditory nerve basilar membrane binocular vision body brain cause centre Cloth cochlea colours consonance Demy 8vo direction dissonance distance distinctly ear-bones Eustachian tube excitement experience external ear Fcap fenestra ovalis fibres of Corti field of vision finger fixed fundamental tone harmonics Helmholtz Illustrations imagine impression instance instrument International Scientific Series inwards irritation labyrinth labyrinthine fluid lens light manner minor third motion muscles musical nerve-fibres number of vibrations objects observed octave olfactory olfactory nerve optic nerve organs of Corti papillæ peculiar perceive perception picture pitch Poems position possess post 8vo produced rays recognise resonator retina Second Edition seen sensation sense of touch sensitive fields sensory circle sensory organs skin Small crown 8vo smell sound sound-waves stereoscopic string substances suppose surface sympathetic vibrations takes place taste terminal tion tongue tube tuning-fork tympanic cavity tympanic membrane vols waves whilst
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