Shakespearean Tragedy and Its Double: The Rhythms of Audience ResponsePenn State Press, 1 nov. 2010 |
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Pagina iv
... Theater audiences . 4. Tragedy . I. Title . PR2983.C37 1991 822.3'3 - dc20 90-45895 CIP Copyright © 1991 The Pennsylvania State University All rights reserved Printed in the United States of America It is the policy of The Pennsylvania ...
... Theater audiences . 4. Tragedy . I. Title . PR2983.C37 1991 822.3'3 - dc20 90-45895 CIP Copyright © 1991 The Pennsylvania State University All rights reserved Printed in the United States of America It is the policy of The Pennsylvania ...
Pagina vii
... Theater and Narrative in Romeo and Juliet 43 2. Remembering Hamlet 89 3. The Scenic Rhythms of Othello 139 4. Kent , Edgar , and the Situation of King Lear 181 5. The Audience In and Out of Antony and Cleopatra Selected Bibliography ...
... Theater and Narrative in Romeo and Juliet 43 2. Remembering Hamlet 89 3. The Scenic Rhythms of Othello 139 4. Kent , Edgar , and the Situation of King Lear 181 5. The Audience In and Out of Antony and Cleopatra Selected Bibliography ...
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Pagina 9
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Cuprins
Theater and Narrative in Romeo and Juliet | 43 |
Remembering Hamlet | 89 |
The Scenic Rhythms of Othello | 139 |
Kent Edgar and the Situation of King Lear | 181 |
The Audience In and Out of Antony and Cleopatra | 227 |
Selected Bibliography | 271 |
Alte ediții - Afișează-le pe toate
Shakespearean Tragedy and Its Double: The Rhythms of Audience Response Kent Cartwright Previzualizare limitată - 1991 |
Shakespearean Tragedy and Its Double: The Rhythms of Audience Response Kent Cartwright Previzualizare limitată - 1991 |
Shakespearean Tragedy and Its Double: The Rhythms of Audience Response Kent Cartwright Vizualizare fragmente - 1991 |
Termeni și expresii frecvente
acting action actor Antony and Cleopatra Antony's argues audience's becomes behold Benvolio Caesar Cambridge Capulet carnivalesque Cassio Claudius Claudius's comic Coppélia Cordelia create critics death Desdemona dialogue discussion disengagement dramatic Edgar edited effect Elizabethan Emilia emotional empathy engagement and detachment Enobarbus Enobarbus's entrance Essays example experience feel Folio Fool Friar Friar Lawrence gesture ghost Goldman Gonoril Hamlet hero Horatio humor Iago Iago's imagination invites Kent Kent's King Lear Laertes language Lear's lines London lovers Macbeth madness Mercutio Michael Michael Goldman moral narrative Octavius Octavius's Ophelia Othello parodies passion performance perspective physical play's playgoer poetic Polonius present Quarto recognize relationship response rhythm role Romeo and Juliet secondary characters sense sexual Shakespeare Quarterly Shakespeare's Plays Shakespearean Tragedy shifts soliloquy speak spectator spectatorial spectatorial distance spectatorship speech stage stands structure suggests suicide sympathy tension theater theatrical thou tion tragic Tybalt uncanny virtuosic wonder York